In San Francisco Barnum discovered another valuable dwarf. He was
smaller than General Tom Thumb, and handsome; his father, Gabriel Kahn,
a German, asked Barnum to exhibit his son, and Barnum could not resist
the temptation. He hesitated, for he had determined to retire, but the
dwarf was pert in both German and English, and Barnum finally engaged
him for a long term of years, christening him immediately “Admiral
Dot, the Eldorado Elf.” Admiral Dot was exhibited in San Francisco for
three weeks under Barnum’s management, and his levees were crowded.
Then the party returned to New York. Admiral Dot was joined later by a
nephew, known as Major Atom. Barnum was also financially interested in
the world tour of General Tom Thumb, Mrs. Tom Thumb, Minnie Warren, and
Commodore Nutt and his brother, Rodnia Nutt. He also arranged a tour
for The Siamese Twins in Great Britain. Interest was aroused in this
enterprise by the previous announcement that they were visiting Great
Britain to consult eminent surgeons with a view to their separation.
Of course, they had no intention of becoming by a stroke of the knife
merely two Siamese, instead of The Siamese Twins, but the publicity was
effective.
All these enterprises, however, were only silent partnerships, and
Barnum was not satisfied with such comparative inactivity. His
energies, unassuaged by travel and entertainment, insisted upon a wider
outlet, and in 1870, when he was sixty years old, he organized the
first forerunner of what was later to become the famous Barnum & Bailey
circus.
CHAPTER XIII
THE CIRCUS
I
An immense traveling show, combining all the elements of the museum,
menagerie, and variety performance, was not Barnum’s own conception,
at least in 1870, when he first joined some other showmen in the
organization of such a combination. It is true that forerunners of the
circus were present in “Barnum’s Great Asiatic Caravan, Museum, and
Menagerie,” and in Barnum’s and Van Amburgh’s Museum and Menagerie,
but these were nothing in comparison with the enterprise which was now
projected. W. C. Coup and Dan Costello, showmen of experience, called
upon Barnum during the period of his semi-retirement and urged that he
form with them a great traveling show. They asked for the power of his
name and for any financial support he was willing to supply, and they
arrived at the correct time, for, tired of doing comparatively nothing,
Barnum approved of all their plans. In 1869 he had decided that it was
time for him to devote himself “to serious reflections on the ends
and aims of human existence,” and he had no thought of engaging in
the circus business. In 1870 he was making preparations with his new
partners for the huge exhibition which they suggested, and which was
larger than anything Barnum had ever previously attempted.
Public-domain text, read in full here on John Shaqi.
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