“I told the newcomer that his late adjutant had given him a high
character, and that I was glad to have in the regiment a man so well
recommended. He saluted silently; I detailed him to a company and told
him he might go. But as he was leaving the orderly room a thought
struck me and I recalled him. I knew how strong throughout the regiment
was the sentiment in favour of the poor fellow who was waiting his
doom; and it occurred to me that this new sergeant, who in the nature
of things could not be a warm sharer in this sentiment, was a fitting
man to detail to the command of the firing party. I briefly explained
to him the circumstances, and then told him to what duty I purposed
assigning him. ‘Very well, sir,’ was his calm remark; ‘it is an
unpleasant duty, certainly, but I can understand the reason why you put
it on me.’ Then, telling him to apply to the regimental sergeant-major
for details, I let him go.
“I need not ask you whether you have ever seen a military execution;
it is the most solemn and fortunately the rarest of all our military
spectacles. It was not yet daylight when all the troops of the
garrison, both European and native, were on march to the great
parade-ground. The regiments, as they arrived, wheeled into position,
the whole forming three sides of a vast square, the dressed ranks
facing inwards. The dead silence was presently broken by the roll of
the drum, announcing the approach of the procession escorting the
doomed man, and a moment later the head of it rounded the flank of
one of the faces of the great hollow square. In effect the yet living
soldier was marching in his own funeral procession, his step keeping
time to the swell and cadence of his own dirge. At the head of the
sombre cortège was borne the empty coffin of the man whose sands
of life were running out; there followed in slow march, with arms
reversed, the execution party of twelve privates and a corporal, under
the command of Sergeant Russell; and then a full military band, from
whose instruments there pealed and wailed alternately the Dead March in
_Saul_. There was a little interval of space, and then, alone save for
the Presbyterian chaplain walking beside him in his Geneva gown, and
praying in low, earnest accents, marched with firm step the condemned
man, his face calm, but whiter than the white cap on his head. Close
behind marched, with fixed bayonets, a corporal and a file of men of
the quarter-guard. Thus was constituted what, save for the central
figure of it, who still lived and moved and had his being, and for the
empty coffin, was in every attribute a funeral procession.
Public-domain text, read in full here on John Shaqi.
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