Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
With one of those sudden changes that come in Virginia, the day of
Nathan's funeral brought a foretaste of spring. The snow had melted so
rapidly that the roads were flowing like brooks, and Whippernock River,
with its damaged bridge, was still impassable. But an April languor was
in the air, and the sky over the wintry fields was as soft as clouds of
blue and white hyacinths. Though a number of farmers who lived beyond
Whippernock River had been unable to come to the funeral, people had
arrived by train from the city and in every vehicle that could roll on
wheels from the near side of the railroad. The little church was crowded
to suffocation while the minister read his short text and preached his
long sermon on the beauty of self-sacrifice. When the last hymn was sung
with gasps of emotional tension, and the congregation flocked out into
the churchyard, with Nathan in his flower-banked coffin and Dorinda
hidden in her widow's weeds, a wave of grief spread like a contagious
affliction over the throng. With her head reverently bowed, Dorinda
tried to attend only to the words of the minister, to see only the open
grave at her feet, with the piles of red clay surrounding the oblong
hole. Yet her senses, according to their deplorable habit in a crisis,
became extraordinarily alive, and every trivial detail of the scene
glittered within her mind. She saw the blanched and harrowed face of the
minister, who prayed with closed eyes and violent gestures as if he were
wrestling with God; she saw the nodding black plumes of Miss Texanna
Snead, and remembered that Nathan had once called her "a plumed hearse."
She saw the gaping mouths of the children, whom their mothers, in the
excitement of the occasion, had neglected to wash; she saw even the
predatory brood of chickens which had invaded the graveyard and was
scratching upon the graves. The ground at her feet was heaped with
flowers, and among the floral crosses and wreaths and pillows, she
observed the design of a railway engine made of red and white
carnations, and tried to recall the names on the card. Long after she
had forgotten every word of the prayer, she could still see that
preposterous floral engine and smell the strong scent of fading
carnations.
Standing there beside the open grave, recollections blew in and out of
her mind like chaff in the wind. Her first sermon. The old minister
praying with eyes so tightly shut that they looked like slits made by a
penknife. The way her feet could not reach the floor. Peppermints in a
paper bag to keep her quiet. Her mother smelling of soap and camphor.
Missionaries in the front pew. The saving of black babies. The way she
had yawned and stretched. Nathan was there then, a big boy who sang,
with a voice as shrill as a grasshopper, in the choir. Rose Emily too.
How pretty she was. Then Rose Emily as she lay dying with the happy
light in her eyes and the flush in her cheeks. Twenty-two years ago!
Well, she had done her best by Rose Emily's children.
Public-domain text, read in full here on John Shaqi.
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