"I don't know. It seems different this morning. I can't see why I did it." "I heard the men talking about it in the barn. Somebody, the sheriff, I reckon, had told Martin Flower, and he said you'd bitten off more than you could chew." Dorinda flushed angrily. "When I want Martin Flower's interference, I'll ask for it." Already a message had gone to Mirandy, and the old negress was waiting outside for directions when breakfast was over. The floor and the woodwork of the spare room must be scrubbed; the bed thoroughly aired before it was made up; a fire kindled in the big fireplace; and the red-bordered towels, which her mother had reserved for the visiting elder, must be hung on the towel-rack. Last of all, Mirandy must remember to keep a kettle boiling day and night on the brass footman. "I wonder why I am doing all this?" Dorinda asked herself. Was it, as she believed, from impersonal compassion? Or was it because her first lover, merely because he had been the first, was impressed eternally on the unconscious cells of her being? "No, I'm not doing it for Jason," she answered. "Even if I had never loved him, I couldn't let the man who had owned Five Oaks die in the poorhouse." "Before we bring him here," John Abner said, "you'd better warn Aunt Mirandy that consumption is catching." He shook his head with a sardonic smile. "I'm afraid he's going to be a nuisance; but I believe you would have done the same thing if it had been smallpox." She looked at him with inscrutable eyes. "I was never afraid of taking things." "But you don't even like Jason Greylock." "Like him? Who could? What has that to do with the poorhouse?" A look of rare tenderness, for he was not often tender, came into John Abner's eyes while he squinted at her over the table. "Well, you're a big woman, Dorinda, even if you're trying at times. There's an extra dimension in you somewhere." Though praise from John Abner was one of the things that pleased her most, she was incapable, she knew, of draining the sweetness of the moment before it escaped her. When happiness came to her she had always the feeling that she was too dull or too slow to realize it completely until it was, over, when she responded to the memory as she had never responded to the actual occurrence. "You're very good to me, John Abner," she answered. Her words were insufficient, but the habit of reticence was, as usual, too strong for her.