Chicago (Ill.) -- History -- To 1875 -- Fiction; Fires -- Fiction; Great Fire, Chicago, Ill., 1871 -- Fiction; Historical fiction
But Christine merely bowed as to one with whom her acquaintance was
slight, and turned away. At first Dennis had blushed, and his heart
had fluttered like a young girl's; but, as she turned so coolly away,
his native pride and obstinacy were aroused.
"She shall speak to me and do me justice," he muttered. "She must
understand that I spoke unconsciously on that miserable morning, and
am not to be blamed. As I am a man, I will speak boldly and secure
recognition." But as the little company mingled and conversed before
the music commenced, no opportunity offered. He determined to show
her, however, that he was no country boor, and with skill and taste
made himself agreeable.
Christine furtively watched him. She was surprised to see him, as the
idea of meeting him in society as an equal had scarcely been suggested
before. But when she saw that he greeted one after another with grace
and ease, and that all seemed to enjoy his conversation, so that a
little knot of Miss Winthrop's most intelligent guests were about him
at last, she felt that it would be no great condescension on her part
to be a little more affable. In her heart, though, she had not forgiven
the unconscious words that had smitten to the ground her ambitious
hopes.
Then again, his appearance deeply interested her. A suppressed
excitement and power, seen in the glow and fire of his dark eyes, and
felt in his tones, stirred her languid pulses.
"He is no vapid society-man," she said to herself; and her artist eye
was gratified by the changes in his noble face.
"Look at Fleet," whispered her father; "could you believe he was
sweeping the store the other day? Well, if we don't find out his worth
and get what we can from him, the world will. We ought to have had him
up to sing before this, but I have been so busy since your illness
that it slipped my mind."
Miss Winthrop now led Christine to the piano, and she played a classical
piece of music in faultless taste. Then followed duets, solos, quartets,
choruses, and instrumental pieces, for nearly all present were musical
amateurs. Under the inspiration of this soul-stirring art, coldness
and formality melted away, and with jest and brilliant repartee,
alternating with song, there gathered around Miss Winthrop's piano
such a group as could never grace the parlors of Miss Brown. Sometimes
they would carry a new and difficult piece triumphantly through; again
they would break down, with much laughter and good-natured rallying.
Public-domain text, read in full here on John Shaqi.
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