But in addition to these motives was another, of which she did not speak to her father. In the privacy of her own home she could pursue that peculiar phase of art study in which she was absorbed. Her life had now become a most exciting one. She ever seemed on the point of obtaining the power to portray the eloquence of passion, feeling, but there was a subtile something that still eluded her. She saw it daily, and yet could not reproduce it. She seemed to get the features right, and yet they were dead, or else the emotion was so exaggerated as to suggest weak sentimentality, and this of all things disgusted her. Every day she studied the expressive face of Dennis Fleet, the mysterious power seemed nearer her grasp. Her effort was now gaining all the excitement of a chase. She saw before her just what she wanted, and it seemed that she had only to grasp her pencil or brush, and place the fleeting expressions where they might always appeal to the sympathy of the beholder. Nearly all her studies now were the human face and form, mainly those of ladies, to disarm suspicion. Of course she took no distinct likeness of Dennis. She sought only to paint what his face expressed. At times she seemed about to succeed, and excitement brought color to her cheek and fire to her eye that made her dazzlingly beautiful to poor Dennis. Then she would smile upon him in such a bewitching, encouraging way that it was little wonder his face lighted up with all the glory of hope. If once more she could have him about her as when rearranging the store, and, without the restraint of curious eyes, could play upon his heart, then pass at once to her easel with the vivid impression of what she saw, she might catch the coveted power, and become able to portray, as if she felt, that which is the inspiration of all the highest forms of art--feeling. That evening, Dennis, at Mr. Ludolph's request, came to the hotel to try some new music. During the evening Mr. Ludolph was called out for a little time. Availing himself of the opportunity, Dennis said, "You seem to be working with all your old zest and hope." "Yes," she said, "with greater hope than ever before." "Won't you show me something that you are doing?" "No, not yet. I am determined that when you see work of mine again the fatal defect which you pointed out shall be absent." His eyes and face became eloquent with the hope she inspired. Was her heart, awakening from its long winter of doubt and indifference, teaching her to paint? Had she recognized the truth of his assurance that she must feel, and then she could portray feeling? and had she read in his face and manner that which had created a kindred impulse in her heart? He was about to speak, the ice of his reserve and prudence fast melting under what seemed good evidence that her smiles and kindness might be interpreted in accordance with his longings. She saw and anticipated.