She heard him as in a dream. She understood his words, remembered them afterward, but so intent was she on her darling purpose that she heeded them not. His voice sounded far away, and every power of mind and body was concentrated to transfer his expression to the canvas before her. Even he, blinded as he was by his emotions, occupied by the long pent-up torrent of feeling that he was pouring into her unheeding ear, wondered at her strange, dazzling beauty and peculiar manner. After speaking a moment or two, the blur over his eyes and the confusion of his mind began to pass away, and he was perplexed beyond measure at the way she was receiving the open declaration of his love. She was painting through it all, not with the nervous, random stroke of one who sought to hide excitement and embarrassment in occupation. She was working earnestly, consciously, with precision, and, what was strangest of all, she seemed so intent upon his face that his words, which would have been such music to any woman that loved, were apparently unheard. He stopped, but the break in his passionate flow of language was unnoted. "Christine, listen to me!" he cried, in an agony of fear and perplexity. The tone of his appeal might have stirred a marble bosom to pity, but she only raised her left hand deprecatingly as if warding off an interruption, while she worked with intense eagerness with her right. "Christine!" a frown contracted her brow for a second, but she worked on. He looked at her as if fearing she had lost her reason, but there was no madness in her swift, intelligent strokes. Then like a flash the thought came to him: "It is my face, not myself, that she wants! This, then, has been the secret of her new hope as an artist. She would not feel, as I told her she must, but she would call out and copy my emotion; and this scene, which means life or death to me, is to her but a lesson in art, and I am no more than the human subject under the surgeon's knife. But surely no anatomist is so cruel as to put in his lancet before the man is dead." Every particle of color receded from his face, and he watched her manner for the confirmation of his thought. Her face was indeed a study. A beautiful smile parted her lips, her eyes glowed with the exultation of assured and almost accomplished success, and she looked like an inspired priestess at a Greek oracle. But a bitterness beyond words was filling his heart. A few more skilful strokes, and she threw down her brush, crying in ecstatic tones, "Eureka! Eureka!" as she stood before the painting in rapt admiration. In an instant he stood by her side. With all the pride of triumph she pointed to the picture, and said: "Criticise that, if you can! Deny that there is soul, life, feeling there, if you dare! Is that painting but a 'beautiful corpse'?"