This was the last mention of his father, and he pondered long and
thoughtfully over it. He saw, or fancied he saw, the first faint
glimmerings of a coldness between them, and he hastily turned to the
printed report of the House of Commons inquiry, to see what part his
father had taken. His name occurred but once; it was appended to an
extract of a letter, addressed to him by the Governor-General. It was
a confidential report, and much of it omitted in publication. It was
throughout, however, a warm and generous testimony to Barrington's
character. “I never knew a man,” said he, “less capable of anything mean
or unworthy; nor am I able to imagine any temptation strong enough to
warp him from what he believed to be right. That on a question of policy
his judgment might be wrong, I am quite ready to admit, but I will
maintain that, on a point of honor, he would, and must, be infallible.”
Underneath this passage there was written, in Miss Barrington's hand,
“Poor George never saw this; it was not published till after his death.”
So interested did young Conyers feel as to the friendship between
these two men, and what it could have been that made a breach between
them,--if breach there were,--that he sat a long time without opening
the little volume that related to the charge against Colonel Barrington.
He had but to open it, however, to guess the spirit in which it was
written. Its title was, “The Story of Samuel Ed-wardes, with an Account
of the Persecutions and Tortures inflicted on him by Colonel George
Barrington, when serving in command of the Forces of the Meer Nagheer
Assahr, Rajah of Luckerabad, based on the documents produced before the
Committee of the House, and private authentic information.” Opposite to
this lengthy title was an ill-executed wood-cut of a young fellow
tied up to a tree, and being flogged by two native Indians, with the
inscription at foot: “Mode of celebrating His Majesty's Birthday, 4th of
June, 18--, at the Residence of Luckerabad.”
In the writhing figure of the youth, and the ferocious glee of his
executioners, the artist had displayed all his skill in expression, and
very unmistakably shown, besides, the spirit of the publication. I have
no intention to inflict this upon my reader. I will simply give him--and
as briefly as I am able--its substance.
Public-domain text, read in full here on John Shaqi.
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