Short stories, English; World War, 1914-1918 -- Fiction
In the disordered crowd of men that lies at the foot of the slope is
a commotion that defies the efforts of the officers. In vain do they,
knowing what is about to occur, endeavour to form a regular line of
attack up the ravine, as, from those who are still swarming down the
other side, arises one hoarse, savage cry that dominates the crash
of rifle-volleys. It is the battle-cry of a primitive people that
spontaneously clutches its primitive weapon in this awakening of its
oldest instincts, this plunge into the æon-old chaos where man thirsts
for the blood of man. "Na Nos! Na Nos!" comes the cry from a thousand
throats, reiterated endlessly by frenzied men whose faces are deathly
white or inflamed with blood. "Na Nos! Na Nos!" from parched mouths,
from dry, cracked lips the shout issues, overpowering the orders of
the officers. The bloodshot eyes that protrude with wild hatred at
the trench no longer see those officers. It is a savage horde merely,
in which the modern military hierarchy is lost, obliterated by an
intensely individual lust to slay as their ancestors slew. "Na Nos! Na
Nos!" "With the knife! With the knife!" What matters it that the knife
is at the end of a rifle? It is still a knife, the primordial weapon.
With an angry roar, the mass, no longer to be restrained, rushes madly
up the slope.
With an answering crash the rifle-fire from the trench leaps to a
climax. The men up there are firing for their lives. In the horde upon
the slope is an appalling massacre. Heedless of it, blind to it, the
mass surges upward, happily forgetful of the cartridges in their own
rifles, mindful only of the blade that gleams at the muzzle. They see a
line of faces, white behind countless spurts of flame. With one fierce
roar they hurl themselves upon them. Men in grey-blue spring up and
dash away or turn and run at them bayonet to bayonet. The attacking
line howls in the joy of butchery--"_Na Nos!_"
PER LA PIÙ GRANDE ITALIA!
Public-domain text, read in full here on John Shaqi.
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