Baudelaire: His Prose and PoetryBaudelaire, Charles
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Baudelaire: His Prose and Poetry
Baudelaire, Charles
Baudelaire, Charles, 1821-1867; French literature -- 19th century
The light and heat, indeed, were so furiously intense that one had said
the drunken sun wallowed upon a carpet of flowers that had fattened
upon the corruption beneath.
The air was heavy with vivid rumours of life--the life of things
infinitely small--and broken at intervals by the crackling of shots
from a neighbouring shooting-range, that exploded with a sound as of
champagne corks to the burden of a hollow symphony.
And then, beneath a sun which scorched the brain, and in that
atmosphere charged with the ardent perfume of death, he heard a voice
whispering out of the tomb where he sat. And this voice said: "Accursed
be your rifles and targets, you turbulent living ones, who care so
little for the dead in their divine repose! Accursed be your ambitions
and calculations, importunate mortals who study the arts of slaughter
near the sanctuary of Death himself! Did you but know how easy the
prize to win, how facile the end to reach, and how all save Death is
naught, not so greatly would you fatigue yourselves, O ye laborious
alive; nor would you so often vex the slumber of them that long ago
reached the End--the only true end of life detestable!"
THE DESIRE TO PAINT
Unhappy perhaps is the man, but happy the artist, who is tom with this
desire.
I burn to paint a certain woman who has appeared to me so rarely,
and so swiftly fled away, like some beautiful, regrettable thing the
traveller must leave behind him in the night. It is already long since
I saw her.
She is beautiful, and more than beautiful: she is overpowering. The
colour black preponderates in her; all that she inspires is nocturnal
and profound. Her eyes are two caverns where mystery vaguely stirs and
gleams; her glance illuminates like a ray of light; it is an explosion
in the darkness.
I would compare her to a black sun if one could conceive of a dark star
overthrowing light and happiness. But it is the moon that she makes
one dream of most readily; the moon, who has without doubt touched her
with her own influence; not the white moon of the idylls, who resembles
a cold bride, but the sinister and intoxicating moon suspended in the
depths of a stormy night, among the driven clouds; not the discreet
peaceful moon who visits the dreams of pure men, but the moon torn from
the sky, conquered and revolted, that the witches of Thessaly hardly
constrain to dance upon the terrified grass.
Her small brow is the habitation of a tenacious will and the love of
prey. And below this inquiet face, whose mobile nostrils breathe in the
unknown and the impossible, glitters, with an unspeakable grace, the
smile of a large mouth; white, red, and delicious; a mouth that makes
one dream of the miracle of some superb flower unclosing in a volcanic
land.
There are women who inspire one with the desire to woo them and win
them; but she makes one wish to die slowly beneath her steady gaze.
THE GLASS-VENDOR
Public-domain text, read in full here on John Shaqi.
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