Louisiana -- Social life and customs -- Fiction; Short stories, American
The room holds a number of guests. There is old Monsieur Lucien
Santien, leaning against one of the pillars, and laughing at something
which Monsieur Lafirme is telling him, till his fat shoulders shake.
His son Jules is with him--Jules, who wants to marry her. She laughs.
She wonders if Félix has told her father yet. There is young Jerome
Lafirme playing at checkers upon the sofa with Léandre. Little Pauline
stands annoying them and disturbing the game. Léandre reproves her. She
begins to cry, and old black Clémentine, her nurse, who is not far off,
limps across the room to pick her up and carry her away. How sensitive
the little one is! But she trots about and takes care of herself better
than she did a year or two ago, when she fell upon the stone hall floor
and raised a great "bo-bo" on her forehead. Pélagie was hurt and angry
enough about it; and she ordered rugs and buffalo robes to be brought
and laid thick upon the tiles, till the little one's steps were surer.
"Il ne faut pas faire mal à Pauline."
She was saying it aloud--"faire mal à Pauline."
But she gazes beyond the salon, back into the big dining hall, where
the white crèpe myrtle grows. Ha! how low that bat has circled. It
has struck Ma'ame Pélagie full on the breast. She does not know it.
She is beyond there in the dining hall, where her father sits with a
group of friends over their wine. As usual they are talking politics.
How tiresome! She has heard them say "la guerre" oftener than once. La
guerre. Bah! She and Félix have something pleasanter to talk about, out
under the oaks, or back in the shadow of the oleanders.
But they were right! The sound of a cannon, shot at Sumter, has rolled
across the' Southern States, and its echo is heard along the whole
stretch of Côte Joyeuse.
Yet Pélagie does not believe it. Not till La Ricaneuse stands before
her with bare, black arms akimbo, uttering a volley of vile abuse and
of brazen impudence. Pélagie wants to kill her. But yet she will not
believe. Not till Félix comes to her in the chamber above the dining
hall--there where that trumpet vine hangs--comes to say good-by to
her. The hurt which the big brass buttons of his new gray uniform
pressed into the tender flesh of her bosom has never left it. She sits
upon the sofa, and he beside her, both speechless with pain. That room
would not have been altered. Even the sofa would have been there in the
same spot, and Ma'ame Pélagie had meant all along, for thirty years,
all along, to lie there upon it some day when the time came to die.
But there is no time to weep, with the enemy at the door. The door has
been no barrier. They are clattering through the halls now, drinking
the wines, shattering the crystal and glass, slashing the portraits.
One of them stands before her and tells her to leave the house. She
slaps his face. How the stigma stands out red as blood upon his
blanched cheek!
Public-domain text, read in full here on John Shaqi.
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