The excess of his joy on his restoration to home and friends and property and fame and position, was as great as the excess of his grief in his short exile. But this is a defect in temperament, in his mental constitution, rather than a flaw in his character. We could have wished more placidity and equanimity; but to condemn him because he was not great in everything is unjust. On his return to Rome Cicero resumed his practice in the courts with greater devotion than ever. He was now past fifty years of age, in the prime of his strength and in the height of his forensic fame. But, notwithstanding his success and honors, his life was saddened by the growing dissensions between Caesar and Pompey, the decline of public spirit, and the approaching fall of the institutions in which he gloried. It was clear that one or the other of these fortunate generals would soon become the master of the Roman world, and that liberty was about to perish. His eloquence now became sad; he sings the death-song of departing glories; he wails his Jeremiads over the demoralization which was sweeping away not merely liberty, but religion, and extinguishing faith in the world. To console himself he retired to one of his beautiful villas and wrote that immortal essay, "De Oratore," which has come down to us entire. His literary genius now blazed equally with his public speeches in the Forum and in the Senate. Literature was his solace and amusement, not a source of profit, or probably of contemporary fame. He wrote treatises on the same principles that he talked with friends, or that Fra Angelico painted pictures. He renewed his attempts in poetry, but failed. His poetry is in the transcendent rhythm of his prose compositions, like that of Madame de Staël, and Macaulay, and Rousseau.