Beacon Lights of History, Volume 05: The Middle AgesLord, John
History
Beacon Lights of History, Volume 05: The Middle Ages
Lord, John
History
Church Architecture is the only addition which the Middle Ages made to
Art; but even this fact is remarkable when we consider the barbarism and
ignorance of the Teutonic nations in those dark and gloomy times. It is
difficult to conceive how it could have arisen, except from the stimulus
of religious ideas and sentiments,--like the vast temples of the
Egyptians. The artists who built the hoary and attractive cathedrals and
abbey churches which we so much admire are unknown men to us, and yet
they were great benefactors. It is probable that they were practical and
working architects, like those who built the temples of Greece, who
quietly sought to accomplish their ends,--not to make pictures, but to
make buildings,--as economically as they could consistently with the end
proposed, which end they always had in view.
In this Lecture I shall not go back to classic antiquity, nor shall I
undertake to enter upon any disquisition on Art itself, but simply
present the historical developments of the Church architecture of the
Middle Ages. It is a technical and complicated subject, but I shall try
to make myself understood. It suggests, however, great ideas and
national developments, and ought to be interesting.
The Romans added nothing to the architecture of the Greeks except the
arch, and the use of brick and small stones for the materials of their
stupendous structures. Now Christianity and the Middle Ages seized the
arch and the materials of the Roman architects, and gradually formed
from these a new style of architecture. In Roman architecture there was
no symbolism, no poetry, nothing to represent consecrated sentiments. It
was mundane in its ideas and ends; everything was for utility. The
grandest efforts of the Romans were feats of engineering skill, rather
than creations inspired by the love of the beautiful. What was beautiful
in their edifices was borrowed from the Greeks; what was original was
intended to accommodate great multitudes, whether they sought the sports
of the amphitheatre or the luxury of the bath. Their temples were small,
comparatively, and were Grecian.
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