Savonarola's manner was as effective as his matter. He was a kind of Peter the Hermit, preaching a crusade, arousing emotions and passions, and making everybody feel as he felt. It was life more than thought which marked his eloquence,--his voice as well as his ideas, his wonderful electricity, which every preacher must have, or he preaches to stones. It was himself, even more than his truths, which made people listen, admire, and quake. All real orators impress themselves--their own individuality--on their auditors. They are not actors, who represent other people, and whom we admire in proportion to their artistic skill in producing deception. These artists excite admiration, make us forget where we are and what we are, but kindle no permanent emotions, and teach no abiding lessons. The eloquent preacher of momentous truths and interests makes us realize them, in proportion as he feels them himself. They would fall dead upon us, if ever so grand, unless intensified by passion, fervor, sincerity, earnestness. Even a voice has power, when electrical, musical, impassioned, although it may utter platitudes. But when the impassioned voice rings with trumpet notes through a vast audience, appealing to what is dearest to the human soul, lifting the mind to the contemplation of the sublimest truths and most momentous interests, then there is _real_ eloquence, such as is never heard in the theatre, interested as spectators may be in the triumphs of dramatic art. But I have dwelt too long on the characteristics of that eloquence which produced such a great effect on the people of Florence in the latter part of the fifteenth century. That ardent, intense, and lofty monk, world-deep like Dante, not world-wide like Shakspeare, Who filled the cathedral church with eager listeners, was not destined to uninterrupted triumphs. His career was short; he could not even retain his influence. As the English people wearied of the yoke of a Puritan Protector, and hankered for their old pleasures, so the Florentines remembered the sports and spectacles and _fêtes_ of the old Medicean rule. Savonarola had arrayed against himself the enemies of popular liberty, the patrons of demoralizing excitements, the partisans of the banished Medici, and even the friends and counsellors of the Pope. The dreadful denunciation of sin in high places was as offensive to the Pope as the exposure of a tyrannical usurpation was to the family of the old lords of Florence; and his enemies took counsel together, and schemed for his overthrow. If the irritating questions and mockeries of Socrates could not be endured at Athens, how could the bitter invectives and denunciations of Savonarola find favor at Florence? The fate of prophets is to be stoned. Martyrdom and persecution, in some form or other, are as inevitable to the man who sails against the stream, as a broken constitution and a diseased body are to a sensualist, a glutton, or a drunkard. Impatience