Beacon Lights of History, Volume 13: Great Writers: Dr Lord's Uncompleted Plan, Supplemented with Essays by Emerson, Macaulay, Hedge, and Mercer AdamLord, John
History
Beacon Lights of History, Volume 13: Great Writers: Dr Lord's Uncompleted Plan, Supplemented with Essays by Emerson, Macaulay, Hedge, and Mercer Adam
Lord, John
History
This sense of moral accountability Byron seems never to have had, in
regard to anybody or anything, his self-indulgence culminating in an
egotism melancholy to behold. He would go where he pleased, say what he
pleased, write as he pleased, do what he pleased, without any
constraint, whether in opposition or not to the customs and rules of
society, his own welfare, or the laws of God. It was moral madness
pursuing him to destruction,--the logical and necessary sequence of
unrestrained self-will, sometimes assuming the form of angelic
loveliness and inspiration in the eyes of his idolaters. No counsellor
guided him wiser than Moore or Shelley. Even the worldly advice of
Rogers and Madame de Staël was thrown away, whenever they presumed to
counsel him. Nobody could influence him. His abandonment to fitful
labors or pleasures was alike his glory and his shame. After a day of
frivolity he would consume the midnight hours in the intensest studies,
stimulated by gin, to awake in the morning in lassitude or pain,--for
work he must, as well as play. The consequence of this burning the
candle at both ends was failing health and diminished energies, until
his short race was run. He had produced more poetry at thirty-four years
of age than any other English poet at the age of fifty,--some of almost
transcendent merit, but more of questionable worth, though not of
questionable power. Aside from the "Childe Harold," the "Hebrew
Melodies," the "Prisoner of Chillon," and perhaps the "Corsair," the
"Bride of Abydos," "Lara," and the "Siege of Corinth," the rest,
excepting minor poems, however beautiful in measure and grand in
thought, give a shock to the religious or to the moral sentiments.
"Cain" and "Manfred" are regarded as almost blasphemous, though probably
not so meant to be by the poet, in view of the stirring questions of
Grecian tragedy; while the longest of his poems, "Don Juan," is an
insult to womanhood and a disgrace to genius; for although containing
some of the most exquisite touches of description and finest flights of
poetic feeling, its theme is along the lowest level of human passion.
Public-domain text, read in full here on John Shaqi.
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