The next noticeable article which Carlyle published was on Voltaire, and appeared in the Quarterly Review in 1829. It would appear that he hoped to find in this great oracle and guide of the eighteenth century something to admire and praise commensurate with his great fame. But vainly. Voltaire, though fortunate beyond example in literary history, versatile, laborious, brilliant in style,--poet, satirist, historian, and essayist,--seemed to Carlyle to be superficial, irreligious, and egotistical. The critic ascribes his power to ridicule,--a Lucian, who destroyed but did not reconstruct; worldly, material, sceptical, defiant, utterly lacking that earnestness without which nothing permanently great can be effected. Carlyle says:-- "Voltaire read history, not with the eye of a devout seer, or even critic, but through a pair of mere anti-Catholic spectacles. It is not a mighty drama, enacted on the theatre of infinitude, with suns for lamps and eternity as a background, whose author is God and whose purport leads to the throne of God, but a poor, wearisome debating-club dispute, spun through ten centuries, between the Encyclopédie and the Sorbonne." Carlyle's essays for the next two years, chiefly on German literature, which he admired and sought to introduce to his countrymen, were published in various Reviews. I can only allude to one on Richter, whose whimsicality of style he unconsciously copied, and whose original ideas he made his own. In this essay Carlyle introduced to the English people a great German, but a grotesque, whose writings will probably never be read much out of Germany, excellent as they are, on account of the "jarring combination of parentheses, dashes, hyphens, figures without limit, one tissue of metaphors and similes, interlaced with epigrammatic bursts and sardonic turns,--a heterogeneous, unparalleled imbroglio of perplexity and extravagance." There was another, on Schiller, not an idol to Carlyle as Goethe was, yet a great poet and a true man, with deep insight and intense earnestness. "His works," said Carlyle, "and the memory of what he was, will arise afar off, like a towering landmark in the solitude of the past, when distance shall have dwarfed into invisibility many lesser people that once encompassed him, and hid them forever from the near beholder."