Beacon Lights of History, Volume 3 part 1: The Middle AgesLord, John
History
Beacon Lights of History, Volume 3 part 1: The Middle Ages
Lord, John
History
GOTHIC ARCHITECTURE.
A. D. 1100-1400.
Church Architecture is the only addition which the Middle Ages made
to Art; but even this fact is remarkable when we consider the
barbarism and ignorance of the Teutonic nations in those dark and
gloomy times. It is difficult to conceive how it could have
arisen, except from the stimulus of religious ideas and
sentiments,--like the vast temples of the Egyptians. The artists
who built the hoary and attractive cathedrals and abbey churches
which we so much admire are unknown men to us, and yet they were
great benefactors. It is probable that they were practical and
working architects, like those who built the temples of Greece, who
quietly sought to accomplish their ends,--not to make pictures, but
to make buildings,--as economically as they could consistently with
the end proposed, which end they always had in view.
In this Lecture I shall not go back to classic antiquity, nor shall
I undertake to enter upon any disquisition on Art itself, but
simply present the historical developments of the Church
architecture of the Middle Ages. It is a technical and complicated
subject, but I shall try to make myself understood. It suggests,
however, great ideas and national developments, and ought to be
interesting.
The Romans added nothing to the architecture of the Greeks except
the arch, and the use of brick and small stones for the materials
of their stupendous structures. Now Christianity and the Middle
Ages seized the arch and the materials of the Roman architects, and
gradually formed from these a new style of architecture. In Roman
architecture there was no symbolism, no poetry, nothing to
represent consecrated sentiments. It was mundane in its ideas and
ends; everything was for utility. The grandest efforts of the
Romans were feats of engineering skill, rather than creations
inspired by the love of the beautiful. What was beautiful in their
edifices was borrowed from the Greeks; what was original was
intended to accommodate great multitudes, whether they sought the
sports of the amphitheatre or the luxury of the bath. Their
temples were small, comparatively, and were Grecian.
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