Beauchamp; or, The Error.James, G. P. R. (George Payne Rainsford)
History
Beauchamp; or, The Error.
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- 18th century -- Fiction
three inches below the knee, with a square-cut collar. I will pass
over my journey to Hamburg, till my arrival in a little common inn, in
the old part of the town. Not having a pfennig to spare, I set out
early the next morning to look out for a lodging, and saw several that
would have suited myself very well, but which did not suit my
finances. At length, seeing the wife of a grocer standing at the door,
with a good-humoured countenance, in a narrow and dark street,
containing some large, fine houses, which had seen the splendours of
former times, I walked up to her and asked if she could recommend a
lodging to a young man who was not over rich. After thinking for a
moment, she pointed over the way, to a house with a decorated front,
which had become as black as ink with age. The lower story was
entirely occupied by an iron-warehouse; but she said that up above on
the first floor I should find Widow Gentner, who let one room, and who
had, she believed, no lodger at the time. I thanked her many times for
her civility, and walking across the street to the point she
indicated, I looked up at the cornices and other ornaments which were
displayed upon the facade. Dirty they were beyond all doubt. A pair of
stone ladies with baskets in their hands, which had probably been once
as white as snow, now displayed long dripping lines of black upon
their garments; their noses had disappeared, but the balls of the eyes
were of the deepest brown, though above the centre appeared a white
spot, which seemed to show the presence of cataract. The fruit in the
baskets, however, consisted apparently of black cherries, and a dingy
cornucopia, which stood by the side of each, vomited forth swarthy
fruit and flowers of a very uninviting quality. I gazed in surprise
and admiration, and asked myself if it ever would be my fate to live
in so fine a mansion. Taking courage, however, I inquired at the
ironmonger's which was the door of Widow Gentner, and of the three
which opened into the lower part of the house, I was directed to the
second. On the first floor I found a tidy little maid, who introduced
me to the presence of her mistress, a quiet, dry old lady, who was
seated in a room which had apparently formed part of a magnificent
saloon--I say formed part, for it was evident that the size of the
chamber had been much curtailed. On the ceiling, which was of the most
magnificent stucco work I ever saw, appeared various groups of angels
and cherubs in high relief, as large as life, and seated amidst clouds
and bunches of flowers as big as feather-beds. But that ceiling
betrayed the dismemberment of the room; for all along the side where
ran the wall behind the good lady were seen angels' legs without the
heads and bodies, baskets of flowers cut in two, and cherubs with not
above one-half of the members even, which sculptors have left them.
This was soon explained: the widow informed me that she had divided
Public-domain text, read in full here on John Shaqi.
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