Beauchamp; or, The Error.James, G. P. R. (George Payne Rainsford)
History
Beauchamp; or, The Error.
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- 18th century -- Fiction
It was one of those cases in which two people without well knowing
what they are about, go on puzzling each other, though both may be as
frank as day. They talked of every simple subject which all the world
might have heard discussed--music, painting, poetry; but yet the whole
was carried on in so low a tone that to any one who did not know them
it would have appeared that they were making love. Miss Clifford was
puzzled, perplexed, to make out her companion's character, for she
certainly expected nothing from a man familiarly called Ned Hayward,
and more especially from a particular friend of her uncle's, but a
gay, rattling, good-humoured scapegrace at the best; yet in order to
gain her full attention, and withdraw her thoughts from a subject
which he saw annoyed her, Captain Hayward put off for the time his
usual careless, rapid manner, and spoke with so much feeling and good
taste, and what is more, good sense also, upon all the many topics
upon which their conversation ran--he showed her that he had read so
much, and thought so much, and felt so much, that she became convinced
before he had done, of the complete fallacy of all her preconceived
notions of his disposition. Such a change of opinion is always very
favourable to a man with a woman; for they are such generous
creatures, those women, that if they find they have done one
injustice, they are sure to go to the opposite extreme, and give us
credit for more than is our due.
Ned Hayward's puzzle was of a different kind, but it proceeded from
the same source, namely, an erroneous preconception. He saw that Mary
Clifford was embarrassed, whenever the subject of the attack upon
their carriage was mentioned, that she changed colour, not from red to
white as would have been the case, had terror had aught to do with it,
but from white to red, which is generally a change produced by other
emotions. He therefore set it down as a certain fact, that the fair
lady's heart was a little engaged in the transaction; and yet, as they
went on talking in that same low voice, she twice returned to the
subject herself, not without some degree of embarrassment it is true,
but still as if she wished to say more, and Ned Hayward thought with
some degree of pique, "Well, my pretty friend, I am not quite old
enough to be made a confidant of yet."
Public-domain text, read in full here on John Shaqi.
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