Beauchamp; or, The Error.James, G. P. R. (George Payne Rainsford)
History
Beauchamp; or, The Error.
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- 18th century -- Fiction
Captain Hayward agreed in this view of the case, and after a few more
words of consultation, the horse was fastened to a scraggy hawthorn
tree, and stooping down as low as possible to conceal their approach,
Captain Hayward and his companion advanced along the cart-road down
into the pit. The moment after they began to descend, the bank on the
right cast a shadow over them, which favoured their operations, and
Gimlet, taking the lead, crept silently along a path which had once
served for the waggons that carried the sand out of the pit, but was
now overgrown with grass and hemmed in with bushes, shrubs, and trees
of forty or fifty years growth. No moonlight penetrated there, and all
was dark, gloomy, and intricate. Now the path turned to the right, now
to the left, then proceeded straight forward again, and then began to
mount a little elevation in the surface, or floor, as the miners would
call it, of the pit itself, still thickly surrounded by green shrubs,
through which, however, the slanting beams of the moon were shining
over the edge of the pit. Stephen Gimlet's steps became even still
more quiet and cautious, and he whispered to Ned Hayward to walk
lightly for fear the fugitive should catch a sound of their approach,
and make his escape. Each step occupied several seconds, so carefully
was it planted; the slight rustling of the leaves, catching upon their
clothes, and each falling back upon a branch, which, pushed aside as
they passed, was dashed back upon those behind, made them pause and
listen, thinking that the object of their eager pursuit must have
caught the sound as well as their own nearer ears. At length Stephen
Gimlet stopped, and putting back his hand, helped his companion aloof
for an instant, while he leaned forward and brought his eyes close to
a small hole between the branches. Then, drawing Ned Hayward forward,
he pointed in the same direction in which he had been looking, with
his right finger, and immediately laid it upon his lips as a token to
be silent. Ned Hayward bent his head and gazed through the aperture as
his companion had done. The scene before him was a very peculiar one.
In broken beams, filtered, as we may call it, by the green leaves and
higher branches, the moonlight was streaming upon a small open space,
where the ground rose into a swelling knoll, covered with green turf
and moss. There was one small birch-tree in the midst, and a hawthorn
by its side, but all the rest was clear, and on the right hand could
be seen, marked out by the yellow sand, the cart-road which led to the
moor above. Standing close to the two little trees was a horse, a
fine, strong, powerful bay, with a good deal of bone and sinew, long
in the reach, but what is unusual in horses of that build, with a
chine and shoulder like those of a wild boar. Close to the horse, with
the bridle thrown over his arm, and apparently exceedingly busy upon
something he was doing, stood a tall, powerful man, whose face, from
Public-domain text, read in full here on John Shaqi.
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