Beauchamp; or, The Error.James, G. P. R. (George Payne Rainsford)
History
Beauchamp; or, The Error.
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- 18th century -- Fiction
"By and by, Sir John, by and by," said Ned Hayward, making towards the
stairs. "You shall have the whole story for dessert. At present I am
dirty, and the dinner's waiting. It will get cold, and your curiosity
keep hot."
Thus saying he left them, and the rest of the party proceeded to
dinner.
CHAPTER X.
The Poacher's Cottage.
If you quit the high-road from Tarningham on the right-hand side by
that little sandy path, just a hundred yards on the other side of the
stone pump, equidistant from it and the mile-stone which marks on the
hither side, five miles and a half from Tarningham, and walk straight
on, it leads you over the moor, and through the midst of scenery very
common in England, not much loved by ordinary ramblers, but which for
me and a few others has a peculiar and almost indescribable charm. The
ground is broken, undulated, full of deep sand-pits and holes,
frequently covered with gorge and heath, spotted occasionally with
self-sown shrubs, a stunted hawthorn here and there, two or three
melancholy firs, gathered together on the top of a mound, like a party
of weary watchers trying to console each other by close companionship,
while from time to time a few light birches, with their quivering
leaves, and thin, graceful arms, and ragged coats of silver and brown,
are seen hanging over the edge of a bank, or decorating the side of a
hollow. If you dip down into one of the low dells, a sensation of
hermit-like solitude comes upon you. You believe that there at least
you may be,
The world forgetting, by the world forgot;
and you feel an irresistible desire to sit down at the foot of this
shrub, or that, where the roots, like a well-governed state, serve to
keep together in close union, the light and incoherent materials that
sustain them, and there to commune with your own thoughts in the
silent presence of Nature. If you mount one of the little hills, the
scene and the sensation is very different, The solitude is as deep as
striking; no living thing is to be seen, unless it be a wild curlew,
with its thin arched wings, whirling away with a shrill cry in the
enjoyment of its own loneliness; but there is an expansion, a
grandeur, a strange sublimity in the extent of waste, with the long
lines waving off in different hues like the billows of the ocean,
first yellow sand, and green short turf, then a brown mass, where the
sight loses its distinctness, then perhaps a gleam of water, then a
blue line, deep as indigo, where the azure air and the black shade
mingle together under some threatening cloud; then long undulations of
purple, fainter and fainter, till who shall say where earth ends and
sky begins. The bleakness, the stillness, the solitariness, the varied
colouring, the vast extent, the very monotony of the forms mingle
together in a whole that has not less grandeur in it than the highest
mountain that ever raised its proud brow above its brother giants.
Public-domain text, read in full here on John Shaqi.
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