“Give me your eyes an instant. I know you think me reckless and
lawless: now is not that true? You doubt whether, if a lady gave me her
hand I should hold to it in perfect faith. Or, perhaps not that: but
you do suspect I should be capable of every sophism under the sun to
persuade a woman to break her faith, if it suited me: supposing some
passion to be at work. Men who are open to passion have to be taught
reflection before they distinguish between the woman they should sue
for love because she would be their best mate, and the woman who has
thrown a spell on them. Now, what I beg you to let me read you in this
letter is a truth nobly stated that has gone into my blood, and changed
me. It cannot fail, too, in changeing your opinion of Dr. Shrapnel. It
makes me wretched that you should be divided from me in your ideas of
him. I, you see—and I confess I think it my chief title to
honour—reverence him.”
“I regret that I am unable to utter the words of Ruth,” said Cecilia,
in a low voice. She felt rather tremulously; opposed only to the letter
and the writer of it, not at all to Beauchamp, except on account of his
idolatry of the wicked revolutionist. Far from having a sense of
opposition to Beauchamp; she pitied him for his infatuation, and in her
lofty mental serenity she warmed to him for the seeming boyishness of
his constant and extravagant worship of the man, though such an
enthusiasm cast shadows on his intellect.
He was reading a sentence of the letter.
“I hear nothing but the breeze, Nevil,” she said.
The breeze fluttered the letter-sheets: they threatened to fly. Cecilia
stepped two paces away.
“Hark; there is a military band playing on the pier,” said she. “I am
so fond of hearing music a little off shore.”
Beauchamp consigned the letter to his pocket.
“You are not offended, Nevil?”
“Dear me, no. You haven’t a mind for tonics, that’s all.”
“Healthy persons rarely have,” she remarked, and asked him, smiling
softly, whether he had a mind for music.
His insensibility to music was curious, considering how impressionable
he was to verse, and to songs of birds. He listened with an oppressed
look, as to something the particular secret of which had to be reached
by a determined effort of sympathy for those whom it affected. He liked
it if she did, and said he liked it, reiterated that he liked it,
clearly trying hard to comprehend it, as unmoved by the swell and sigh
of the resonant brass as a man could be, while her romantic spirit
thrilled to it, and was bountiful in glowing visions and in tenderness.
There hung her hand. She would not have refused to yield it. The hero
of her childhood, the friend of her womanhood, and her hero still,
might have taken her with half a word.
Beauchamp was thinking: She can listen to that brass band, and she
shuts her ears to this letter!
Public-domain text, read in full here on John Shaqi.
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