Cecilia murmured of a general resemblance in the features. Renée
enchained her. Though but a sun-shadow, the vividness of this French
face came out surprisingly; air was in the nostrils and speech flew
from the tremulous mouth. The eyes? were they quivering with internal
light, or were they set to seem so in the sensitive strange curves of
the eyelids whose awakened lashes appeared to tremble on some
borderland between lustreful significance and the mists? She caught at
the nerves like certain aoristic combinations in music, like tones of a
stringed instrument swept by the wind, enticing, unseizable. Yet she
sat there at her father’s feet gazing out into the world indifferent to
spectators, indifferent even to the common sentiment of gracefulness.
Her left hand clasped his right, and she supported herself on the floor
with the other hand leaning away from him, to the destruction of
conventional symmetry in the picture. None but a woman of consummate
breeding dared have done as she did. It was not Southern suppleness
that saved her from the charge of harsh audacity, but something of the
kind of genius in her mood which has hurried the greater poets of sound
and speech to impose their naturalness upon accepted laws, or show the
laws to have been our meagre limitations.
The writer in this country will, however, be made safest, and the
excellent body of self-appointed thongmen, who walk up and down our
ranks flapping their leathern straps to terrorize us from experiments
in imagery, will best be satisfied, by the statement that she was
indescribable: a term that exacts no labour of mind from him or from
them, for it flows off the pen as readily as it fills a vacuum.
That posture of Renée displeased Cecilia and fascinated her. In an
exhibition of paintings she would have passed by it in pure
displeasure: but here was Nevil’s first love, the woman who loved him;
and she was French. After a continued study of her Cecilia’s growing
jealousy betrayed itself in a conscious rivalry of race, coming to the
admission that Englishwomen cannot fling themselves about on the floor
without agonizing the graces: possibly, too, they cannot look
singularly without risks in the direction of slyness and brazen
archness; or talk animatedly without dipping in slang. Conventional
situations preserve them and interchange dignity with them; still life
befits them; pre-eminently that judicial seat from which in briefest
speech they deliver their judgements upon their foreign sisters.
Jealousy it was that plucked Cecilia from her majestic place and caused
her to envy in Renée things she would otherwise have disapproved.
Public-domain text, read in full here on John Shaqi.
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