'Give me your eyes an instant. I know you think me reckless and lawless:
now is not that true? You doubt whether, if a lady gave me her hand I
should hold to it in perfect faith. Or, perhaps not that: but you do
suspect I should be capable of every sophism under the sun to persuade a
woman to break her faith, if it suited me: supposing some passion to be
at work. Men who are open to passion have to be taught reflection before
they distinguish between the woman they should sue for love because she
would be their best mate, and the woman who has thrown a spell on them.
Now, what I beg you to let me read you in this letter is a truth nobly
stated that has gone into my blood, and changed me. It cannot fail, too,
in changeing your opinion of Dr. Shrapnel. It makes me wretched that you
should be divided from me in your ideas of him. I, you see--and I
confess I think it my chief title to honour--reverence him.'
'I regret that I am unable to utter the words of Ruth,' said Cecilia, in
a low voice. She felt rather tremulously; opposed only to the letter and
the writer of it, not at all to Beauchamp, except on account of his
idolatry of the wicked revolutionist. Far from having a sense of
opposition to Beauchamp; she pitied him for his infatuation, and in her
lofty mental serenity she warmed to him for the seeming boyishness of his
constant and extravagant worship of the man, though such an enthusiasm
cast shadows on his intellect.
He was reading a sentence of the letter.
'I hear nothing but the breeze, Nevil,' she said.
The breeze fluttered the letter-sheets: they threatened to fly. Cecilia
stepped two paces away.
'Hark; there is a military band playing on the pier,' said she. 'I am so
fond of hearing music a little off shore.'
Beauchamp consigned the letter to his pocket.
'You are not offended, Nevil?'
'Dear me, no. You haven't a mind for tonics, that's all.'
'Healthy persons rarely have,' she remarked, and asked him, smiling
softly, whether he had a mind for music.
His insensibility to music was curious, considering how impressionable he
was to verse, and to songs of birds. He listened with an oppressed look,
as to something the particular secret of which had to be reached by a
determined effort of sympathy for those whom it affected. He liked it if
she did, and said he liked it, reiterated that he liked it, clearly
trying hard to comprehend it, as unmoved by the swell and sigh of the
resonant brass as a man could be, while her romantic spirit thrilled to
it, and was bountiful in glowing visions and in tenderness.
There hung her hand. She would not have refused to yield it. The hero
of her childhood, the friend of her womanhood, and her hero still, might
have taken her with half a word.
Beauchamp was thinking: She can listen to that brass band, and she shuts
her ears to this letter:
Public-domain text, read in full here on John Shaqi.
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