Beauties and Antiquities of Ireland: Being a Tourist's Guide to Its Most Beautiful Scenery & an Archæologist's Manual for Its Most Interesting RuinsRussell, Thomas O'Neill
History
Beauties and Antiquities of Ireland: Being a Tourist's Guide to Its Most Beautiful Scenery & an Archæologist's Manual for Its Most Interesting Ruins
Russell, Thomas O'Neill
Ireland -- Antiquities; Ireland -- Description and travel
But in spite of the beauty of the glen in which the ruins are situated,
and in spite of the beauty of what remains of the ruins themselves, no
right-minded person, no matter what his creed or nationality may be, can
look on Mellifont without being not only pained but shocked at the
desolation that has been wrought upon it, and the traces of barbarism,
hate, and vandalism that stare him in the face. Why such uprooting was
done in Mellifont one can easily understand, but _how_ it was done is a
puzzle. Here stood probably the largest and most beautiful of all Irish
monasteries, but hardly a square foot of it remains overground, save the
baptistry and chapter house. The walls have been levelled down to their
very foundations. A building of such enormous size must have had high
walls, but hardly a vestige of them remains. If they were blown up by
gunpowder, the material of which they were made would remain, if it had
not been carried away. Few traces of the walls are to be seen,
consequently one must conclude that the greater part of the very stones of
which they were built has been removed to some place of which no one now
alive knows anything. A mill was built close by the river about eighty
years ago, but it contains in its walls few, if any, of the stones of
Mellifont. They had disappeared long before the erection of the mill. The
spoilers of Mellifont were not satisfied by uprooting it, for they seem to
have removed the greater part of the stones of which it was built. If
Mellifont had not been so razed to the ground it would, even in its
nakedness and desolation, be one of the most beautiful ecclesiastical
ruins in Europe, and would attract a hundred visitors for the one it
attracts now.
Mellifont is one of the few Irish ruined abbeys that has a Latin instead
of an Irish name. No one seems to have yet found out what its Irish name
is, or if it ever had one. Our annalists almost invariably call it the
"Drogheda Monastery." The Four Masters call it "Mellifont" only once. In
the "Annals of Loch Cé" it is called the "Great Monastery," for there
seems no doubt that it was the largest house of the kind in Ireland. The
extent of the church itself can now be distinctly traced, thanks to the
excavations that were made by the Board of Works some years ago. It was
180 feet in length, with proportional breadth; the entire area covered
with buildings was fully an English acre, and there were evidently many
outlying buildings connected with, or forming part of the monastery,
hardly a trace of which now remains. The small chapel on a hill outside of
the monastery is thought to have been founded by St Bernard at the time
the monastery was built. There is also about the fourth of what was once
a strong castle remaining. It was evidently built after the Anglo-French
invasion, but by whom seems not to be definitely known.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account