Beauties and Antiquities of Ireland: Being a Tourist's Guide to Its Most Beautiful Scenery & an Archæologist's Manual for Its Most Interesting RuinsRussell, Thomas O'Neill
History
Beauties and Antiquities of Ireland: Being a Tourist's Guide to Its Most Beautiful Scenery & an Archæologist's Manual for Its Most Interesting Ruins
Russell, Thomas O'Neill
Ireland -- Antiquities; Ireland -- Description and travel
But it is Cormac's Chapel that is the real architectural glory of the Rock
of Cashel. It is by some wrongly attributed to the time of Cormac Mac
Cullenann in the ninth century. It was built by Cormac Mac Carthy, a
king of Minister, in the early part of the twelfth century. The principal
proof that it was built at that time is found in the _Chronicon
Scottorum_, in which it is stated that Cormac's Chapel at Cashel was
consecrated in 1130. It is more than probable that the chapel was
consecrated very soon after it was finished. It does not come within the
scope of a work like this to enter into technical details on matters
connected with architecture; but for chaste beauty, for elaborate carving,
and solidity of structure, it may be said that Cormac's Chapel is one of
the most wonderful ecclesiastical buildings of its age in Christendom. The
practised eye of the trained architectural critic might notice some signs
of decay about it, some effacement in the gorgeous carvings or designs
with which almost every stone of the interior is more or less covered; but
to the ordinary observer, the whole building, within and without, seems
almost as perfect as it was the day its architect pronounced it finished.
If Cormac's Chapel were only larger, it would be the noblest and most
remarkable ecclesiastical building of its age in the British Isles, or
probably in Europe. But, unfortunately, it is very small, the nave being
only about thirty feet in length, and the choir only about eighteen. But
what it lacks in size is made up in elaborate carving, chaste design, and
solidity of structure. It looks as if it would last until the day of doom,
and as if nothing but an earthquake could destroy it. Its very roof seems
as strong and as perfect as its walls. It is of cut stone laid on with
geometrical exactness, as sound and as solid as ever it was. However
imposing the _coup d'oeil_ that "the rock-throned pediments and towers" of
Cashel may present from without, it is an examination of this gem of
antique architectural beauty that gives one the highest opinion of the
artistic skill of those whose appreciation of the unique and beautiful led
them to choose this towering rock as a fit place on which to raise
edifices dedicated to the Deity.
Public-domain text, read in full here on John Shaqi.
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