England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
Kit looked through the window at the neat new object of painted
boards, set where the light from the west would trouble and dazzle
his eyes. The seat by the lilac had been turned away from the west,
so that he might rest his eyes on the evening peace of the fields.
It had been sheltered, too, by the tree and the porch, so that even
in winter it was warm. The new seat looked snug in the thick of the
fence, but there was no shade over it for his head, and when the
leaves were gone the wind would come thinly through. Worst of all, it
was painted the same colour as the meadow gate, that terrible hard
blue that was like a blow. It was horrible what things you could do
with a pot of paint; but, then, as they knew on the marsh, he had
never cared for paint....
“Ay, it’s snug,” he said very politely, and turned the pipe over in
his hand.
“We’ll get by, then,” Thomas said, “while missis sides the pots.” He
was already, almost thankfully, in the porch.
“Nay, I don’t rightly think——”
“What’s amiss?”
“Laylock’s gone, d’ye see, and I doubt I can’t smoke anywheres else.”
He set the pipe aside, gently, but with a final air.
“What, there was no laylock at Marget’s, was there?” Thomas asked and
stared.
“Nay, not as folk knowed.”
“Losh save us—what d’ye mean by that?” Agnes stood up suddenly with a
brusque movement, and began to gather the plates together in a pile.
When she spoke it was still without looking at either of the men.
“Now, then, don’t be fretting him, Thomas. Let him be. He’ll find his
way about, after a bit.”
“Gox, you talk for all the world as if he was strange folk come to
stay!”
“Happen there’s none so strange as them that comes home.” The words
came almost absently from the old man’s lips, as if he was answering,
unknown to himself, some echo out of the air. He moved away from the
couple to where the fiddle lay, and began to draw the cloth from the
taut strings. Thomas looked from his father to his wife, but now it
was she who would not meet his eyes. With a movement that was almost
symbolic he came into the room and shut the door; the only time,
as he knew, that it had been shut that day. He stood in the middle
of the floor between the two who were so intent—the man bent over
the fiddle and the woman over her pots. The impulse to question was
still strong in his mind, but Agnes turned before he could speak, and
thrust the plates commandingly into his hands.
“Leave him be for a bit,” she said in a lowered tone. “Likely he’s
tired, and we’re bothering him over much. Carry pots for me, will
you, there’s a good lad?”
Public-domain text, read in full here on John Shaqi.
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