England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
He used to thank the people in these houses of good rest, but he was
not always perfectly certain which was which, and to the day of his
death he never knew their names. There were real corners in those
kitchens of theirs, where the old could gather themselves into the
shadow unobserved. The kitchen at Marget’s was exactly the same size,
but it had no corners that he could ever find; only bare walls set
rigidly each to each, where naughty children could be sent to sulk,
and dust might settle and gather at its will. The other kitchens had
space and they had peace. Those of their occupants who thought them
poor and mean found themselves suddenly proud in possession after he
had gone. It was as if he had placed a charm on the table before he
went away.
But he was not often able to seek these hiding-places from the storm.
Marget was one of those souls jealous of a burden they do not want
but will not share. Even while she resented his presence under her
roof, she resented equally that he should be happy anywhere else. He
was welcome to hate her as much as he chose, but she demanded that
he should hate other folk as well. If he was hers to see to, she
would have him all to herself, and nobody should take him from her
even for half an hour. Besides, she lacked the full flavour of abuse
when he wasn’t about the house. In the dark kitchen, in spite of his
size, she could not always be sure that he was there. She might trip
over something and snarl, “Drat you! Mind your feet!” before she
discovered that it was only a stool.
So it was not very often he could get away; she hunted him down too
rigorously for that. And even out of her sight he was conscious of
the obsession of her thought. Even during those snatched moments,
seldom as they came, there lurked round every corner the possibility
of her face. It was only in sleep that he ever really escaped, and
even then he awoke sometimes to find her watching him from the
door—her gnawed and useless bone that she still would drag to her
cave.
She said such terrible things, too, to the silent knitters of his
peace. Suddenly the little kitchen would be full of battering,
brazen-sounding speech, carrying so far along the street that folk
would hear it and come out. When Marget emerged with her bone between
her teeth, they would be standing in little knots or edging towards
the door. Little boys came out of nowhere as they always do, and
sometimes a passing carriage would be brought to a halt. Through it
all Marget would swim on a powerful stream of abuse, while he went
quiet in her clutch, his fiddle gathered close. Sometimes people
laughed, and he heard, and that was worst of all.
Public-domain text, read in full here on John Shaqi.
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