England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
The kitchen was dark, not only because there would have been darkness
wherever Marget happened to be, but because its one small window was
shadowed by the chestnuts across the road. It seemed like a little
dark well to the man who had lived in a wind-freshened house with
the whole of the open west to lighten his eyes. Yet there might have
been something to love in it, he knew. There were other houses in
the little old row, heavy with roses white and red, with trellised
porches and gay little flower-beds either side of the door, where
on a summer day the kitchens were little dim places of cool peace.
He knew that, because he had been into them sometimes, and rested
for a while in an arm-chair by the whitened hearth, while its proper
tenant left him alone or knitted in silence with soothing little
clicks. There were geraniums in those windows in pots, and cool,
little starched lace blinds, and though the windows were small the
sun reached round the pots and dropped a splash of gold on the stone
floor. The pots themselves made patches of mellow colour on the sill,
and there was a text on the wall which the sun always seemed to find.
“Where the treasure is, there will the heart be also,” it said,
and Kit knew better than anything else in the world what that text
meant. There was a heap of gold in a bottom corner and a clutter of
angel-crowns above, but Kit knew that real treasure had nothing to do
with things like those.
On those summer days the footpath under the trees was black, so that
the lasses passing in their light gowns looked like coloured pictures
on a dark screen. The road was half a patterned shadow flung by the
trees, and half a ribbon of dazzling limestone white. When carriages
came along, the pattern changed to the horses’ backs, and the
silvered harness flashed and shone in the sun. Sometimes there was a
whirl of dust after they had passed, but none of it came in because
door and window were shut, yet he did not feel stifled because the
door stood open into the scullery at the back, and the door of that
again into the garden beyond. You went up to the garden by old steps
sunk deep into the bank, with moss so thick about them that the
colour of it seemed to have grown into the stone itself. There were
bright flowers up above, mere flecks of colour high and far away,
when the sun was standing over the slanting beds. The door made a
picture for him as he sat, a vivid shimmer of gold and scarlet and
green, yet it was too far off to trouble his old eyes. Sometimes he
stared at it until he slept, with the polished fiddle gleaming across
his knee. The silent knitter would watch the fiddle with an anxious
eye, waiting to catch it when it slipped. But even in sleep his
fingers held it safe, because always in sleep it was with him where
he went.
Public-domain text, read in full here on John Shaqi.
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