England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
Bob begged the parson to help the old man into the trap, and at once
there were a dozen hands hoisting him up the step, holding needlessly
to the horse’s head, and pulling the children from under the wheels.
Kit arrived at his seat a little breathless and pulled about, and
felt the fiddle quiver against his coat. He was grateful for the
sympathy and help, but he had not expected to be sped by a crowd. He
couldn’t help shrinking from the cheerful voices and the smiling eyes
that made of him a spectacle in the street. They confused him and
crossed his thoughts—troubled his perfect journey at the start. He
did not know what to do with the buttered scone, and the button-hole
worried him dreadfully under the chin. He would have liked to creep
quietly out of the house where he had been so sad, and steal silently
towards the house where he had been so gay.
The crowd saw that they fretted him at last and drew away, but Bob
still talked to the parson over the wheel. The old man looked back up
the street, and saw the village radiant in the sun, the white wall
of the school like a snow-palace in its midst, and the church-tower
high and sharp against the sky. He looked up at the trees and saw
the leafy roof thick and green and still, and the doors of many
mansions among the boughs. “Houses not made wi’ hands,” he said to
himself, and wondered where he had heard the words. He looked at the
cottages, with their porches and worn steps, their shaded windows and
grey walls, their climbing roses and sagging, slated roofs. And for
a long moment he looked at his own window which held the enchantment
of the tree. From his window on the marsh he would see no trees,
neither magic ones on a velvet sward nor giants bent into bondage
by the gale. There would be nothing before his eyes which had been
straitened so long but the long distances of the sands and the long
pathways of the sea.
Public-domain text, read in full here on John Shaqi.
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