England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
Once they were past the turn, Bob let the horse slip into a walk,
and moved in his seat with something like relief. Now they were out
of reach of the following eyes, and especially of Marget’s terrible
eyes. Even they, piercing as they were, could not bore through stone
and rising earth. The remains of his youth awoke at this touch of
adventure and escape, and he looked about him from side to side, and
whistled as if compelled by the rhythm of the hoofs. The old man
stirred, too, and looked about, and suddenly, with a half-mechanical
lifting of the hand, he began to eat his buttered scone. He forgot it
again, however, after a couple of bites, because his memories crowded
in too fast.
[Illustration: “Houses never outstared you on the marsh”]
[Illustration: “Shore-grasses never really still”]
They came to the twilight spot on the river bank where he had played
until Marget found him out, but he barely looked at it as he drove
past. He was a different person to-day from the shabby fiddler who
had played through stolen hours to an idle ring. A charm had begun
to work after he reached the turn, so that he was no longer the
down-trodden creature rated by a shrew. Now he was just the simple
old man who had lived at the sea’s edge with a fiddle under his
arm. Marget’s voice was no longer in his ears, but the voice of the
peewit and gull and the rush of the incoming tide. And Bob, too, was
changed from a dull epitome of mistakes to a soul who remembered
the pride and spring of life. If Kit had turned to look at him just
then, he would have seen him a moment in his splendid youth, with the
wrestler’s steady eye and muscular grace. He remembered him conqueror
in many a ring, and wondered what had become of his cups and belts.
They were not at the cottage, he felt sure of that. Marget would have
been sure to say they were “in the road,” and at least he would have
seen the children using them in their play. Bob’s exploits were never
mentioned in that house, because Marget was of opinion that wrestling
was low. Probably the trophies had gone long since to provide other
things more necessary if less proud. But in the old days there had
been a grand show of them on the dresser at the farm, polished
glories that, when the dusk came, made silver points of light both
above and within the oak.
Public-domain text, read in full here on John Shaqi.
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