England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
Nights, too, that would never in any world come back to him again ...
and dawns when, returning from some dance, he had run from the sun
that was hunting him over the hill. Out to sea all was still dark,
and the road before him unsubstantial as a cloud. There might be sea
to each side of him for all he knew, for land that has once belonged
to the sea has always the feeling of sea-ground in the night. The
music he had made was still in his brain, making itself again to the
horse’s hoofs and the beat of a hidden train along the coast. The
fiddle inside his coat was thrilling and singing like his brain. Not
for long after they reached home would either of them be still.
And then, over the chain that cuts England in two, bursting out
over the top like a man who rushes the last few feet of a climb,
the sun took the marsh and the Lake mountains in its stride. Out
of the blotted dusk soft, nebulous shapes arose. Faint colour came
into the grass, faint silver into a stream. Life flowed into the
faintly-living earth, and grew fuller and faster as it moved. He saw
the cattle stand up, and the sheep come away from the hedges that
were full of the questioning twitter of the birds. The larks went up
from the still-shadowy fields, racing the sun for the earliest word
with God. There was a gleam of marsh-marigolds in the dykes, though
still unburnished and dim. In all the waking world he and his horse
alone were sinking into sleep, and though the river was still sombre
when he reached its banks, it was drawing in light each moment from
the sky. The farm, when he saw it at last, seemed painted for him
against the tide, with the yew a black finger against a whitened
wall. All the air about it was still and sunshot and transparent and
pure. Suddenly he saw a hand open a window upstairs, and knew that
his wife had heard him on the road.
Public-domain text, read in full here on John Shaqi.
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