Beauty and the Beast, and Tales of HomeTaylor, Bayard
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Beauty and the Beast, and Tales of Home
Taylor, Bayard
Short stories; United States -- Social life and customs -- 19th century -- Fiction
Jacob, in spite of his new happiness, continued ill at ease, although
he could not help seeing how his father brightened under Susan's genial
influence, how satisfied he was with her quick, neat, exact ways and the
cheerfulness with which she fulfilled her duties. At the end of a week,
the old man counted out the wages agreed upon for both, and his delight
culminated at the frank simplicity with which Susan took what she
supposed she had fairly earned.
“Jacob,” he whispered when she had left the room, “keep quiet one more
week, and then I'll let her know.”
He had scarcely spoken, when Susan burst into the room again, crying,
“Jacob, they are coming, they have come!”
“Who?”
“Father and mother; and we didn't expect them, you know, for a week
yet.”
All three went to the door as the visitors made their appearance on
the veranda. Two of the party stood as if thunderstruck, and two
exclamations came together:
“Samuel Flint!”
“Lucy Wheeler!”
There was a moment's silence; then the farmer's wife, with a visible
effort to compose herself, said, “Lucy Meadows, now.”
The tears came into Samuel Flint's eyes. “Let us shake hands, Lucy,” he
said: “my son has married your daughter.”
All but Jacob were freshly startled at these words. The two shook hands,
and then Samuel, turning to Susan's father, said: “And this is your
husband, Lucy. I am glad to make his acquaintance.”
“Your father, Jacob!” Susan cried; “what does it all mean?”
Jacob's face grew red, and the old habit of hanging his head nearly
came back upon him. He knew not what to say, and looked wistfully at his
father.
“Come into the house and sit down,” said the latter. “I think we shall
all feel better when we have quietly and comfortably talked the matter
over.”
They went into the quaint, old-fashioned parlor, which had already been
transformed by Susan's care, so that much of its shabbiness was hidden.
When all were seated, and Samuel Flint perceived that none of the others
knew what to say, he took a resolution which, for a man of his mood and
habit of life, required some courage.
“Three of us here are old people,” he began, “and the two young ones
love each other. It was so long ago, Lucy, that it cannot be laid to my
blame if I speak of it now. Your husband, I see, has an honest heart,
and will not misunderstand either of us. The same thing often turns
up in life; it is one of those secrets that everybody knows, and that
everybody talks about except the persons concerned. When I was a young
man, Lucy, I loved you truly, and I faithfully meant to make you my
wife.”
“I thought so too, for a while,” said she, very calmly.
Farmer Meadows looked at his wife, and no face was ever more beautiful
than his, with that expression of generous pity shining through it.
Public-domain text, read in full here on John Shaqi.
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