Beauty and the Beast, and Tales of HomeTaylor, Bayard
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Beauty and the Beast, and Tales of Home
Taylor, Bayard
Short stories; United States -- Social life and customs -- 19th century -- Fiction
Two or three days before, a man who had the appearance of a “tramp” had
been observed by the people of a small village in the neighborhood. He
stopped and looked at the houses in a vacant way, walked back and forth
once or twice as if uncertain which of the cross-roads to take, and
presently went on without begging or even speaking to any one. Towards
sunset a farmer, on his way to the village store, found him sitting at
the roadside, his head resting against a fence-post. The man's face was
so worn and exhausted that the farmer kindly stopped and addressed him;
but he gave no other reply than a shake of the head.
The farmer thereupon lifted him into his light country-wagon, the man
offering no resistance, and drove to the tavern, where, his exhaustion
being so evident, a glass of whiskey was administered to him. He
afterwards spoke a few words in German, which no one understood. At the
almshouse, to which he was transported the same evening, he refused to
answer the customary questions, although he appeared to understand
them. The physician was obliged to use a slight degree of force in
administering nourishment and medicine, but neither was of any avail.
The man died within twenty-four hours after being received. His pockets
were empty, but two small leathern wallets were found under his pillow;
and these formed the package which the director left in my charge. They
were full of papers in a foreign language, he said, and he supposed I
might be able to ascertain the stranger's name and home from them.
I took up the wallets, which were worn and greasy from long service,
opened them, and saw that they were filled with scraps, fragments, and
folded pieces of paper, nearly every one of which had been carried for
a long time loose in the pocket. Some were written in pen and ink,
and some in pencil, but all were equally brown, worn, and unsavory in
appearance. In turning them over, however, my eye was caught by some
slips in the Russian character, and three or four notes in French;
the rest were German. I laid aside “Pitaval” at once, emptied all
the leathern pockets carefully, and set about examining the pile of
material.
Public-domain text, read in full here on John Shaqi.
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