Beauty and the Beast, and Tales of HomeTaylor, Bayard
General
Beauty and the Beast, and Tales of Home
Taylor, Bayard
Short stories; United States -- Social life and customs -- 19th century -- Fiction
When John Vincent, after waiting twelve years, married Phebe Etheridge,
the whole neighborhood experienced that sense of relief and satisfaction
which follows the triumph of the right. Not that the fact of a true love
is ever generally recognized and respected when it is first discovered;
for there is a perverse quality in American human nature which will not
accept the existence of any fine, unselfish passion, until it has been
tested and established beyond peradventure. There were two views of the
case when John Vincent's love for Phebe, and old Reuben Etheridge's hard
prohibition of the match, first became known to the community. The girls
and boys, and some of the matrons, ranged themselves at once on the side
of the lovers, but a large majority of the older men and a few of the
younger supported the tyrannical father.
Reuben Etheridge was rich, and, in addition to what his daughter would
naturally inherit from him, she already possessed more than her lover,
at the time of their betrothal. This in the eyes of one class was a
sufficient reason for the father's hostility. When low natures live
(as they almost invariably do) wholly in the present, they neither
take tenderness from the past nor warning from the possibilities of the
future. It is the exceptional men and women who remember their youth.
So, these lovers received a nearly equal amount of sympathy and
condemnation; and only slowly, partly through their quiet fidelity and
patience, and partly through the improvement in John Vincent's
worldly circumstances, was the balance changed. Old Reuben remained an
unflinching despot to the last: if any relenting softness touched his
heart, he sternly concealed it; and such inference as could be drawn
from the fact that he, certainly knowing what would follow his death,
bequeathed his daughter her proper share of his goods, was all that
could be taken for consent.
They were married: John, a grave man in middle age, weather-beaten
and worn by years of hard work and self-denial, yet not beyond the
restoration of a milder second youth; and Phebe a sad, weary woman,
whose warmth of longing had been exhausted, from whom youth and its
uncalculating surrenders of hope and feeling had gone forever. They
began their wedded life under the shadow of the death out of which
it grew; and when, after a ceremony in which neither bridesmaid nor
groomsman stood by their side, they united their divided homes, it
seemed to their neighbors that a separated husband and wife had come
together again, not that the relation was new to either.
Public-domain text, read in full here on John Shaqi.
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