Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
“Thou hast denied the Devil! Thou hast committed the Supreme Sin!
Quickly worship, else be banished forever from the only Paradise!”
Sick, his lips twisting with anguish, Invern had sufficient will to
close his eyes and despairingly groan: “Son of Mary, save me!” The
apparition crumbled. After a panic plunge he found himself somehow in
the wintry street, his forehead wet with fear, his nerves tugging in
their sheaths like wild animals leashed, his heart a cinder in a world
of smoke....
* * * * *
From Asia Minor, years later, the brothers received a letter signed by
Oswald Invern. In it there were misty hints of monastic immurement, and
the hopelessness of expiating a certain strange crime, compared with
which the sin against the Holy Ghost is but a youthful peccadillo. The
Hollin boys giggled in unison.
“What joy!” they exclaimed, “to have invented the Supreme Sin!”
II
BROTHERS-IN-LAW
With the vision of an antique marble façade lingering in his memory he
slowly walked up the Avenue, only stopping at Fiftieth Street to turn
and as leisurely retrace his route. Vincent Serle was in the middle
of his vigorous life, but this day, an early one in April, his forces
seemed arrested; like the curling wave which crests before its ultimate
recoil and crumble. He attributed his mood to the weather. It was not
precisely spring-fever, but a general slackening of physical fibre.
He felt almost immoral: he desired respite from toil; he longed for
some place where his eyes would not encounter palette or print; and, a
versatile man of uncertain purpose, he longed to write a novel, chiefly
about himself.
The clock on the church-tower told him that he was farther down-town
than he had planned. He had mechanically spoken to passing
acquaintances. He had saluted Mrs. Larce, over whose portrait he was
laboring, with a vacant regard and flamboyant hat. Then he emerged
from his engulfing spleen and hastily ascended Delmonico’s steps. It
was his day of disappointments. All the windows in the café were
occupied; nothing remained except a large table in the centre of the
room, decidedly an unpleasant spot, with people passing and repassing.
He hesitated and would have gone away when he remembered that this hour
always saw a mob of hungry folk at any establishment. And Benedict, his
favorite waiter, whispered to him that he would assiduously attend to
monsieur’s wants. The bored painter sank heavily into his chair.
Public-domain text, read in full here on John Shaqi.
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume — John Shaqi
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