Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
Hector Marden--and had he not much to conceal--the beast! Vincent’s
clinched fists were drumming on the table. “Come,” he pondered,
“I’ll have to cease this baby game or I’ll end by making a scene and
consequently an ass of myself.” He stared at Benedict just as Marden
raised his finger. The waiter hurried to the table and presented his
memoranda to the men. Serle frowned. He was in a nasty humor.
“What’s this, Benedict?” He tendered the embarrassed garçon his slip of
paper.
“Pardon, a thousand times pardon, monsieur! I made a mistake.” Marden
looked up smiling.
“I fear I have the bill intended for you,” he said, in a conciliating
tone.
“It’s nothing,” murmured Serle. Both men bowed. The accounts were
soon settled and Benedict nervously retreated to the background. But
neither one stirred. Vincent, without pausing to analyze his action,
offered Marden the newspaper. It was politely refused. Possibly because
of the mellowness of the moment, or the ample repose that follows
luncheon, Marden was not averse from entering into conversation, one
of hazy indirectness, equally suggestive and non-committal. He made a
few commonplace remarks about the unseasonable heat, the deplorable
twilight of New York’s tower-begirt highways, and soon, against the
prompting of his inner spirit, Serle chimed an accordance. They
chatted. Benedict discreetly moved nearer. Presently Serle asked his
neighbor if he would have a cigar or perhaps a liqueur.
“I don’t mind,” rejoined Marden. “The fact is I feel lazy this
afternoon. I had expected to meet a friend here--a client of mine--but
I fancy he is off somewhere wondering if New York shall ever boast
a decent sky-line. He is an architect and enthusiastic over French
Gothic.” Serle’s ears began to burn.
“Architecture in New York? That’s a tall joke. Curiously enough,
though, this very morning I was admiring the new library. It has a
stunning façade. If I were Emperor of America I’d raze every building
within the radius of ten blocks so as to give the building a chance.
Only think of the Cathedral without a house near it!”
“You are an artist, evidently,” Marden said without the faintest
trace of curiosity in his voice. Serle nodded. Benedict with clasped
hands hinted that the two gentlemen might prefer a window. There were
empty tables upon which the sun no longer shone, since the formidable
walls across the street blocked its rays. The painter shuddered. They
would surely be seen by impertinent passers-by. He sent the man away,
sharply adding that he would be called when needed. As for Marden, he
was languidly drifting on the current of his fancy. Was it pleasant or
unpleasant? The watcher could not decide. But he had made up his mind
that he would draw Marden up to the danger-line, and if discovered,
if discovered? He would at least tell him what he thought of the mean
scoundrel who had----
Public-domain text, read in full here on John Shaqi.
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