Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
Then Paul did what most cowards do. He went to the other woman. The
storm in his soul might be allayed, and he could have the pleasure of
showing Rue that she was not necessary to him. Of course the jealousy
of Helena had spoiled his game; for he really had meant to be sincere
with Rue, so he told himself in the inward, eloquent manner which paves
hell with composite intentions. It was all clear to him. Helena loved
him, else why did she tell Rue of his double-dealing? It gave him a
glowing feeling again in his distracted bosom, and as he walked into
the Hotel Sonne he said between clutched teeth:
“Black wins!”
He was met by a polite portier, who told him that his friends had left
on the early train for Vienna. But there was a letter!
Heart-sick and with trembling hands he tore open the envelope.
“Did you really think I loved an American when I can have a Roumanian?
Better console your singer.”
No signature.
“When does the next train leave for Paris?” asked Paul of the polite
portier.
* * * * *
There is a rumor in society that Paul Godard is engaged to Edith
Vicker. He never goes to a Wagner music-drama, and is passionately
addicted to cabaret dancing.
Americans are versatile.
V
THE CARDINAL’S FIDDLE
Yakov leaned out of his window and greedily listened to the Cardinal
playing his fiddle. The window was small and under a hot roof. From
it a view of the great palace of his Eminence was easy, for the house
of Yakov’s mother stood in a narrow court at the rear, and was a
low-sized building, not far from the Cathedral which dominated this
old-fashioned and once aristocratic section of the city. The bedroom of
the boy was on a level with the living-room of the Cardinal--a tall,
spare old man with mild eyes and ascetic face. His bushy white hair and
ruddy complexion, coupled with a high, hawk-like nose, gave him the
appearance, in Yakov’s eyes, of a benevolent bird of exotic origin.
Stranger still was his passion for music. At least once a day he could
be seen by the lad, walking with long, elastic strides about the large
bare room, a violin tucked under his chin, his eyes closed, and he
fiddling as if rehearsing for a classical concert. Yakov knew it was
“classical” music because he couldn’t make head or tail of it, although
he was studying the instrument himself at the big conservatory on the
square. But he was only a beginner--that’s what his cross teacher told
him when his lesson was a poor one--and he realized the fact, while the
Cardinal--oh! he played everything difficult, and always without notes.
Public-domain text, read in full here on John Shaqi.
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