Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
The music was a succession of beautiful sounds for the young visionary.
His eyes glittering, his lips apart, his arms tightly folded about his
thin little frame, he listened as if to the voice of God. The Cardinal
played the slow movement of Mendelssohn’s concerto, and, threadbare
as has become this familiar song, to Yakov it was an enchantment. Its
obvious sentiment seemed a call from his dead father in heaven. When
the music ceased he involuntarily stretched aloft his arms. The eye of
the Cardinal must have caught the glint of white--the boy was in his
shirt-sleeves--and came to the window cautiously, peering across to
Yakov. He vaguely smiled, and to Yakov’s sorrow he closed the window,
yet the sound of his fiddle softly echoed in the ears of the boy.
Every evening he stationed himself at the same spot, but the Cardinal
did not play. Yakov yearned for his music. His own cheap red fiddle
became hateful to him. Its rasping tones when he attempted scales
extinguished his ambition. One day his mother said in her purring
Yiddish: “Yakov, you must be more industrious, else the gentleman at
the conservatory will send you home.” Even that didn’t arouse him. He
suddenly took to playing in the court with the other boys after school.
Such rough games! He stood a lot of kicking and punching, especially
from Jimmy the Brick, who, after all, wasn’t a bad-hearted chap. He
once grabbed Yakov’s lunch-box and critically swallowed the contents,
which pleased him, as he liked full-flavored food. “Say, Kike, that’s
not bad grub. I like your stuffed fish better than the macaroni of that
Wop kid Tony.” With this backing of the boss Yakov enjoyed comparative
peace. He had thought of revenge, of organizing into a compact phalanx
the large body of Jewish boys at the school, but his mother’s advice
and the patience of his race dissuaded him from active rebellion.
He let things slide along, and in the meantime his music was almost
neglected. In vain did his teacher rap his knuckles with the fiddle-bow
and threaten him with dismissal. Yakov knew the crosspatch wouldn’t
keep his word, for he was a pay pupil; not much pay, to be sure;
anyhow, not a charity scholar.
Public-domain text, read in full here on John Shaqi.
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