Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
Father Moreau met me at the bottom of the choir-loft steps. He was
dressed for the street, his eyes were blazing, and as he took my arm
his fingers were vise-like. “Will you come with me?” he asked. I was
startled. I explained that I would not have much rest, nor should
he waste his sleeping time on the dismal, cold streets; besides, I
was hungry. I feared that he was about to deluge me with more of his
studies in the customs of the early Gnostics, and, to be quite frank,
I was worn out and not in a receptive humor for such untoward cryptic
wisdom. Any other time--“Will you come with me?” he reiterated, and the
clutch on my arm became oppressive. “Where?” I asked, for I hated to
affront a friend. “Will you come with me?”
By this time the church was quite empty, and I pushed out into the
street. It was dark and snowing hard. We walked toward the street, and
as we neared the corner I heard the lucky sound of a horse-car--there
were no trolleys then. I excused myself, ran and caught the car; the
priest, following, sat down beside me. I paid both fares, and as I had
nothing to say we preserved a sad silence. The mean light, the deserted
streets, the lonely car, and the muffled strokes of the horses’ hoofs
on the snow chilled my soul. I looked sideways at Father Moreau. He was
reading a big parchment-covered book, which I saw by the dim lamplight
was entitled Le Satanisme, by Jules Bois. I was shocked. A priest fresh
from the holy sacrifice of the mass devouring the blasphemies that
I was sure were in the gruesome volume, alarmed my piety. Presently
he saw me and shut its leaves. “There are curious things in it, my
dear friend,” he muttered, and his voice came from across a waste
of sorrow. “Curious things; but you are a believer, are you not?” he
eagerly repeated. “I am,” I replied devoutly, and I crossed myself.
He fairly jumped at me, his eyes wide open and full of devouring
flames. “Will you come with me?” he almost screamed, and for the fourth
time. “East Street,” called out the conductor, and rather than let my
half-mad companion alone--he surely must have been mad--I left the car
with him, the conductor gazing after us with cynical eyes. He evidently
took us for belated revellers.
Public-domain text, read in full here on John Shaqi.
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