Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
“You are a believer, then?” crooned a dull voice in my ear. It was
Moreau. He had thrown off his outer wrap and stood in a black soutane.
He was white with emotion and said in tenderest accents: “Listen; be
my friend. Do not desert me at the crisis of my life. It is to be my
first mass, my first three o’clock mass. My deacon is already at the
altar. Be the solitary worshipper. It will be a low mass--remember, a
low mass!” He spoke clearly, rapidly, sanely, and seeing that I had
something more than a lunatic to deal with, I removed my overcoat and
knelt down near the altar just as Father Moreau ascended its steps,
his assistant holding the end of his _black_ canonicals. If it had
not been for the apparition of the serpent, I might have fancied that
I was assisting at the lonely, pious vigil of a parochial curate.
But the eyes of the serpent devoured mine, and I had none for the
two silhouetted figures that went through with febrile velocity the
familiar motions of the mass. It was low mass, and from the introit to
the preface the space was scarcely appreciable. I heard mumblings, and
the air became chillier as the celebrants moved and bowed or extended
arms; the air grew colder, denser, and tenser. It vibrated like the
wires of a monstrous zither, and my temples throbbed as if in the midst
of a magnetic storm. I felt that I was nearing a great catastrophe,
that God had abandoned His universe to its wicked will, and that I
must sob, or scream, or pray, or die, or be damned forever, or--the
tap of the silvery little bell was as if a sweet summer air had swum
over my agitated soul. It was the bell that announced the solemn
moment when God became man, when the divine spirit, by the miracle of
transubstantiation, became flesh and blood.
Public-domain text, read in full here on John Shaqi.
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