Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
The subject-matter composing Sur la Voie Glorieuse is altogether
patriotic and contains much that is striking. The cloven hoof of the
original faun that lurks somewhere in this Frenchman’s temperament
is shown in a passage wherein he groups the Christmas festival with
other antique festivals and symbols of Adonis and Mithra. A pagan to
the end. Possibly the best pages are devoted to a free translation
from Herodotus, a dialogue between the potentate Xerxes and a Spartan
slave. The moral rings clear. Of quite different material is fashioned
The Revolt of the Angels. We cannot conscientiously recommend the
fiction to elderly persons of either sex, though, no doubt, it is
favorite reading of the “advanced” college girl. What would be
vulgarity in another writer is turned to favor and prettiness by the
wand of the Gallic enchanter. Violence, rapine, hissing irony, and
Rabelaisian episodes make a feast for lovers of Anatolian literature.
Those who have retained any old-fashioned prejudices concerning
propriety--morality is out of the running--may expect to be shocked.
Has he not said: “Man, seek not to know thyself! Man is not a reasoning
animal.”
In this fable the deity that created us is in the new cosmology only
a tribal god, who, since he deposed Lucifer in pitched battle, rules
tyrannically. He keeps close watch on our mud-pie of a planet because
he suspects that numerous angels disguised as men and women are
fomenting a second angelic rebellion. With them are the socialists
and anarchists, and this gives M. France an opportunity to score
monarchical forms of government. The clerical order is lashed. He
spares no one. He repeats his familiar axiom: “Les guerres sont
toujours les affaires.” There are pages in which sensuality and sheer
burlesque are mingled in a disquieting compound. The book is one
of the most daring. In its essence it is a supreme revolt against
all social systems that uphold slavery: industrial, militaristic,
religious, political. The debasing Asiatic systems that still make
captive the conscience of mankind are mercilessly attacked, and while
the castigating hand is incased in velvet the shining steel is none the
less deadly.
Public-domain text, read in full here on John Shaqi.
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