Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
“Nietzsche’s Blond Barbarians, the Apes of Wagner!” I exclaimed,
and I felt the ground giving away. The naked music, pulsatile and
opium-charged, turned hysterical as Zarathustra-Strauss waved on
his myrmidons with frenzied philosophical motions. Music was become
vertiginous, a mad vortex wherein whirled mad atoms madly embracing.
Dancing, the dissonant corybantes of the Dionysiac evangel scarce
touched earth, thus outvying the bacchantes. The roar of enemy
cannon pursued them as the last Superman yielded his ghost to the
Time-Spirit....
Then there gravely marched a group of men of cold cerebral expression.
They carried steel hammers with which they beat upon their anvils
the whole-tone scale. Near by hovered Arnold Schoenberg with Claude
Debussy, but they put their fingers into their pained ears as the
Neo-Scythians, Scriabine, Stravinsky, Ornstein and Prokofieff hammered
with excruciating dynamics hell itself into icy enharmonic splinters.
With thunderous peals of ironic laughter the Sphinx sank into the sand,
yawning as it vanished and mumbling: “No longer are there dissonances.
Nothing is true. All is permitted!” By a mighty effort to escape the
nipping arctic air and the harsh grindings of impending icebergs, I
fled.
And that is my Masque of Music.
_PART II_
IDOLS AND AMBERGRIS
“Idols and ambergris and rare inlays....”
--_Ezra Pound._
I
THE SUPREME SIN
“Et Diabolus incarnatus est. Et homo factus est.”
--_From the Litany of the Damnéd Saints._
“Shall no new sin be born for men’s trouble?”
--_Swinburne._
“Let us deny Satan!”
--_Sar Péladan._
I
Idly tapping the metal-topped table of the café with his stick, Oswald
Invern waited for the Hollin boys. They had promised, the night before,
to be punctual. It was past eleven and the pair had not turned up; he
was bored, irritated. If they couldn’t remember their engagement, well
and good; but why----!
“Oswald, have we kept you waiting?” intoned two pleasant tenor voices.
There they were at last! Oswald made room for them on the divan and
at once the twin brothers began smoking. Harry fetched a pipe from
the bulging pocket of his coat and Willy lighted a cigarette. It was
their pet affectation to pretend that they disliked any suggestion of
twinship. Willy wore high heels and fashionably cut clothes so as to
appear taller than his brother, while Harry sported Bohemian velvet
and a broad-brimmed hat. But both agreed as to art and brotherly love.
People endured them for these salient traits, though Oswald declared
that it only made them the more stupid.
“No headache this morning, Oswald?”
Public-domain text, read in full here on John Shaqi.
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