Beethoven and His ForerunnersMason, Daniel Gregory
History
Beethoven and His Forerunners
Mason, Daniel Gregory
Beethoven, Ludwig van, 1770-1827; Music -- 18th century -- History and criticism; Music -- 19th century -- History and criticism
The last scene of Beethoven’s troublous life opens in October, 1826,
when, already aged and broken, though but fifty-six years old, he
was obliged to seek, in the house of his “pseudo-brother” Johann, at
Krems, fifty miles from Vienna, a refuge for Carl, who had been ordered
out of Vienna by the civil authorities after his attempt at suicide.
Sir George Grove gives a picture of the oddly-assorted group of
actors: “The pompous money-loving land-proprietor; his wife, a common
frivolous woman of questionable character; the ne’er-do-well nephew,
intensely selfish and ready to make game of his uncle or to make love
to his aunt; and in the midst of them all the great composer--deaf,
untidy, unpresentable, setting every household rule at defiance, by
turns entirely absorbed and pertinaciously boisterous, exploding in
rough jokes and hoarse laughter, or bursting into sudden fury at some
absolute misconception.” Beethoven, whose health was already seriously
undermined, was obliged to sit in a cold room at his work, his brother
being unwilling to go to the expense of a fire, and to eat unwholesome,
ill-cooked food, for which however board-money was rigorously exacted.
By early December there was an open rupture between the two brothers,
and the composer and Carl, resolved to leave the place, yet denied
the closed carriage of the niggardly Johann, risked the fifty-mile
journey, in winter weather, in a hired open wagon. It was Beethoven’s
death blow. Reaching home after two days’ exposure, he took to his
bed, with his digestive troubles much aggravated, and an inflammation
of the lungs. A little later dropsy set in, and four operations had to
be undergone. As the doctors drew out the water Beethoven said grimly:
“Better from my belly than from my pen.” Early in the new year he
rallied, and planned fresh compositions. He amused himself with the
romances of Scott, but at last threw them down, exclaiming angrily:
“The man writes for money.” Soon he began to fail again. On March 24th,
rapidly sinking, he just found strength to whisper to the friends at
his bedside: “Plaudite, amici, commèdia finita est.” After a desperate
struggle of two days, his vigorous constitution at last succumbed, and
he died on the evening of March 26th, 1827.
Public-domain text, read in full here on John Shaqi.
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