Beethoven and His ForerunnersMason, Daniel Gregory
History
Beethoven and His Forerunners
Mason, Daniel Gregory
Beethoven, Ludwig van, 1770-1827; Music -- 18th century -- History and criticism; Music -- 19th century -- History and criticism
“On the 14th of December I dined at the house of Mr. Shaw. While I
was bowing all round I suddenly perceived that the lady of the house,
besides her daughters and the other ladies, wore on their head-dresses
a pearl-colored band, of three fingers breadth, embroidered in gold
with the name of Haydn, and Mr. Shaw wore the name on the two ends of
his collar in the finest steel beads. N. B.--Mr. Shaw wanted me to give
him a souvenir, and I gave him a tobacco-box which I had just bought
for a guinea. He gave me his in exchange.”
The last sentence is particularly delicious for its revelation of
Haydn’s usual canniness. Not even his enjoyment of fame could make him
forget that the tobacco-box given away had cost him a guinea; but he
is solaced by the thought that he had got another in return. One is
reminded of the same trait in reading his comment on the high prices of
race-horses:
“These horses are very dear. Prince Wallis a few years ago paid 8
thousand pounds for one, and sold it again for 6 thousand pounds. But
at the first race he won with it 50,000 pounds.”
The entire diary exhibits a similar thriftiness, shrewdness, and
practicality; by impressing the reader with the curiously prosaic and
matter-of-fact quality of Haydn’s mind, it throws as much light on the
essential character of his music as on that of his personality. Fancy
Beethoven, or any other speculative, imaginative mind, going to see Dr.
Herschel’s great telescope, looking through it at the stars, and then
carefully recording in his journal: “It is forty feet long and five
feet in diameter”!
One of the interesting revelations made by Haydn’s note-book is that
of his sentimental attachment to a certain Mistress Shroeter. It is
a charming and in a way a pathetic story; the beginning formal, the
continuation touchingly human in spite of the old-fashioned phrases
in which it reaches us, and the end mysterious. Mistress Shroeter, a
widow, relict of a German musician, begins it in the following note,
copied out carefully, together with all the subsequent ones, by Haydn:
“Mrs. Shroeter presents her compliments to Mr. Haydn, and informs him
she is just returned to town and will be very happy to see him whenever
it is convenient to him to give her a lesson. James St., Buckingham
Gate, Wednesday, June the 29th, 1791.”
Public-domain text, read in full here on John Shaqi.
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