Before and after Waterloo: Letters from Edward Stanley, sometime Bishop of Norwich (1802; 1814; 1816)Stanley, Edward
History
Before and after Waterloo: Letters from Edward Stanley, sometime Bishop of Norwich (1802; 1814; 1816)
Stanley, Edward
Europe -- Description and travel; France -- History -- Consulate and First Empire, 1799-1815
armour, &c., and her musical instruments were as she had left them, and
everything wore an appearance of comfort which is seldom seen in the
midst of such magnificence. Through folding doors you enter into a
smaller room hung with pictures. C. was her chapel; before a little
unostentatious altar, which had every appearance of having daily
witnessed her devotions, was a beautiful Raphael; the walls were hung
with seven small Scripture subjects by Poussin. I would have given a
great deal to have been her invisible observer in this sacred
retirement. She must have been alone, for it was scarcely large enough
to admit priest or attendant.
D. was a room in which she breakfasted, during which time music was
generally performed in B. From E. was a fine view of the Aqueduct of
Marly, and E. was the way to the Garden, which she had fitted up in the
English style. I have not time to enter into detail of these or her
greenhouses. She was fond of Society and patronised the Arts. She
allowed Artists to sit at leisure in her gallery to copy pictures, and
conversed with them a great deal. She did an infinity of good to all
within her reach and was beloved by all. Her death was very sudden; she
had complained of a sore throat, but not sufficiently to confine her to
her room. On a certain Wednesday or Thursday she was in her Park in high
spirits, showing it to the Emperor Alexander and King of Prussia; being
rather heated she drank some iced water; in the evening she was worse,
on Sunday she was dead, sensible to the last; talked of death, seemed
perfectly resigned--to use the words of a French lady, who told me many
interesting particulars, "sa mort était très chrétienne." They were
busied in packing pictures and making catalogues, but I believe there is
no fear of dismantling the house, as Eugène Beauharnais[57] and the
children are to have it in conformity to her will.[58] I have seen few
things since my departure from England which have interested me more
than Malmaison, and I could almost fancy that her statue, which is that
of a pensive female, with the chin resting on the hand, was her ghost
ruminating over the extraordinary events which had recently occurred,
and which she had quitted for ever. You will see Malmaison in my
sketch-book, as well as the Castle of Vincennes, which is as picturesque
and imposing as it is interesting, from the circumstances attending the
Duke d'Enghien's[59] death. It seems this event was known at Paris the
next day and spoken of with as much freedom as the despotic government
of Paris would admit....
Public-domain text, read in full here on John Shaqi.
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