She lay imagining it, seeing how the shining network of railroads formed a web over the roundness of the world; thinking how it would seem to this poised mind a mere web and nothing more. A meaningless web; instead of thousands of roads each leading to a different destination and intent on its own business. But if the mind, as well as the point of vision, were that of a god, then each line would be fraught with its individuality--and not merely because each led somewhere; there was more to it than that--Sophia struggled towards it. . . . A different time had seen the making of each railroad, different men worked at the making of them, men with souls which had thought and felt as they laid the steel ribbons on which other souls would be rushed along without guessing anything of the thoughts and feelings. And yet, surely those emotions could not die. . . . Perhaps, one evening, a workman, straightening his back and drawing his hand over his wet forehead, had looked towards the sunset, and in the vague irrational way some scenes are registered on the mind for always, that aspect of sky and darkening hedge against it would stay in his memory, oddly mixed with the feel of the wet drops on his hand and the easing of the muscles across his back, to be recalled by any similar moment for the rest of his life. If so, how steeped with humanity those few yards of steel would be! And, apart from the emotions connected with it by the sense of sight, what an important part the railroad must play to the men and their wives and children to whom it meant food and fire! And then, the lines finished, each train going over them would pile the human associations thicker yet, heaping up all the feelings, according to their intensity, of the people in the trains. A god, looking down, instead of merely seeing the network of steel, would see as well all the human emotions still clinging to the places where they were lived--a mystical web woven over tangible things, growing deeper with the years. "Which," said Sophia, the first gleam of personal light flashing through her, "is why walking round a place makes it yours if you do it for that. My seeing of this path will be here always, I'm making a belt of consciousness round the town. It's my city! My city set upon a hill!" She scrambled to her feet and for a moment leant her cheek against the rough stone of the wall, then she went on round the town and in at the great gate. That evening she sat in Beata's garden, finishing her poem to Richard. Elate as she was, she still had no hint of what her discovery meant, or of how the garden would bring the final revelation to her, but even then she felt the soothing influence that held it and her as she wrote out her poem. It went to him without a title, but for herself she headed it: TO THE FORBIDDEN LOVER