Not every senator has escaped so nearly from the failures which attend success as has Frelinghuysen. Nor is his escape complete. A sense of unreality haunts him. Aggressiveness in his case covers it, as it so often does a feeling of weakness. After he has blustered through some utterance, he will buttonhole you and ask, "Did I make a damn fool of myself? Now, the point I was trying to make was, etc. Did I get it clear? Or did I seem like a damn fool?" Less agile minded than Senator Edge, he watches the motions of his New Jersey colleague as a fascinated bird watches those of a snake or a cat. Intellectually he is not at ease, even in the Senate. Another of the Harding set is Harry New of Indiana, one of the "Wa'al naow" school of statesmen, in dress and speech the perfect county chairman of the stage. The broad-brimmed black felt hat, winter and summer, has withstood all the insidious attacks of fashion. The nasal voice has equally resisted all the temptations to conformity with the softer tones which are now everywhere heard. In politics one has to be regular, and New has the impulse to individuality, which with Borah and LaFollette manifests itself in political isolation. With New it manifests itself in hat and speech. New thus remains a person, not merely a clothes-horse which is recorded "aye" when Mr. Lodge votes "aye" and "no" when Mr. Lodge votes "no." But this is hardly fair. Mr. New has been irregular in other ways. He has not made money; he has lost it, a fortune in a stone quarry. He is indifferent to it. This marks him as a person. He would rather whip a stream for trout than go after dollars with a landing net. Whipping a stream for trout is the clue to Harry New. If you are a fisherman you impute all sorts of wiles to the fish. You match your wits against the sharp wits under the water, and your ego is fortified when, the day being dark and your hand being cunning, you land a mess from the stream. The world is a trout stream to New. The hat and the nasal accent are the good old flies that Isaak Walton recommended. There is the type of mind which sees craft where others see simplicity. We associate shrewdness with the kind of hat New wears and the kind of voice he has preserved against the seductions of politeness. It is one of our rural traditions. Suppose shrewdness that asks no more than conversation and a small mess of fish. It is delightful. As we listen to it arriving after the most penetrating exposition at the same conclusions which we have reached directly and stupidly, we are flattered. We realize that we, too, are shrewd, unconsciously so, as, wasn't it Moliere's bourgeois gentleman, who learned that he was unconsciously a gentleman, since he had been doing all his life some of the things that gentlemen did?