Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
Gulping down the cognac, the Colonel gives a detailed order; the
soldier telephones it to some one at the outpost. The Ober-Lieutenant
looks inquiring. "You would like to see?" he asks. As we hurry out of
the room, a soldier with a rifle, runs down the street. It is dark. The
low roofed houses are smothered in a thickening loom of woods and sky.
In a window a candle burns but to the end of the street it is dark. The
door of the last house is open and I hear a mumbling monotone of prayer.
The flash of a pocket torch shows an ancient Hebrew kneeling in the open
door. From his shoulders hang a brown vestment of prayer and caught
full, his patriarchal, wrinkled face seems almost divine in the halo of
the torch. On the heavy air a rifle cracks.
We are running forward. From the woods come a scattered sound, as of
monstrous frogs croaking in the night; a bullet sucks in a whistle as it
passes by. To the left of the road, behind the little cemetery, is a hut
where we will be reasonably safe. Leaving the road and running along the
edge of the trees, so as to keep the hut between us and the direct fire
we press on. I never knew the sound of bullets could so aid one's
speed....
The firing has become general now and as we peer around the edges of the
hut ahead and to our right, I can hear the soldiers moving in the
trench. It is too dark to see much. Nearby I can discern crouched
shadows running through the night and above the place of graves, the
great brown cross makes its stiff gesture of peace.
Where are the Russians? Way down among the trees, I see the occasional
flashes of their fire. But this is only an exchange of shots. The
Germans are not bothering to reply, only with spasmodic shots, I think
of the black winged birds; has the noise frightened them away?
Still there is a tension that seems to be tightening. Down in the trench
I see the flash of an officer's lamp; it is like a firefly. Other
fireflies, glimmer toward the right of the line, flashing and going out.
Somewhere in the darkness a young voice laughs nervously.
Where are the Russians? They may be crossing the open field for from the
woods the shots no longer come. Everything is silent, everything but the
orders that are being given in hushed but distinct tones--almost you
think, as though the damp wind might pick up some secret and bear it to
the Russian hordes. Where are they? This silence seems interminable.
And then one hears the faint scuffling of their feet; and out of the
silence of the night comes a roar as of animals let loose, and across
the fields we can see a vague moving mass. They are firing now but they
are making as much noise with their voices as with their guns. To hoarse
throaty yells they storm up the road. It occurs to me that they are like
the Chinese whose idea of war is making a noise. Their bullets are
raining through the pines and falling like hail on the houses beyond.
"Why don't your men open fire?"
Public-domain text, read in full here on John Shaqi.
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