Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
"Wait till I tell you what the fellow did," said the doctor, after the
officers had bowed themselves away, "It is one of the duties of the
_Landwehr_, you know, to guard the railroads. Late in October, when the
Germans were retreating from their lines outside Warsaw, they had to
hold the railroads to the last. This man's commander was ordered to hold
back the Russians from a little railroad depot. Private Grabbe was given
ten men and a machine gun and posted by a little house near the station.
He had to keep back an overwhelming number of Russians until an entire
battalion was on the train, and then with the little detail make a run
for it, Well, as the Russians came in great force, his comrades
retreated and left him there alone.
"As I told you, men get crazy in battle. Grabbe did not know that he was
alone. He stuck by that machine gun, wounded and alone, mowing down the
Russians until the whole German battalion--twelve hundred men--had
withdrawn. Still he stuck to that machine gun, slaughtering them so,
that by George! the Russians retreated. Grabbe's commander came up
presently and asked him where the other men were. Grabbe said he didn't
know and then the Commander saw that he was wounded."
Outside a violin began to play, and Dr. Sanders explained that often the
local talent dropped in to entertain the wounded. The music continued
and we went from bed to bed hearing the different stories; then the
music stopped, and in a clear, though childishly quavering voice, a girl
began a recitation in the lobby outside. Before he came to Gleiwitz, Dr.
Sanders didn't know two German words. Now, as he told me, he knows
three. Consequently, as the girl spoke on and the faces of all the
wounded suddenly became grim, the doctor wondered why. Then here and
there a man began repeating the girl's words, others, too weak to speak,
following her words with moving lips. Higher and higher quavered her
voice; and suddenly I recognized what she was saying. Before I could
tell the doctor, though, she swept into a climax, to fierce "_Jawohls_"
from the lips of the wounded.
"I don't know what you're saying," shouted Dr. Sanders, rushing into the
lobby, "but stop it. It excites these patients."
He saw that I was grinning, and asked what the joke was. "It's on me,
what was that girl speaking?"
"A new poem," I told him. "The name is: 'Murderous England.'"
"So that's it, eh?" And he went up to the girl, whose hair was braided
down her back and whose cheap, bright pattern dress came barely below
her knees.
"Now, little girl," he said, "when you want to come round to the
hospital to entertain the prisoners, you learn how to speak 'Mary Had a
Little Lamb' or something. Get Sister Anna to teach it to you!" And
patting the child on the head, Dr. Sanders gave her a ten-pfennig piece,
and asked her who had taught her the poem.
"_Meine Mutter_," replied the child.
Public-domain text, read in full here on John Shaqi.
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